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Between the black box and the white cube : expanded cinema and postwar art /
Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining tha...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago ; London :
University of Chicago Press,
2014.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Uroskie, Andrew V., |e author. | |
| 245 | 1 | 0 | |a Between the black box and the white cube : |b expanded cinema and postwar art / |c Andrew V. Uroskie. |
| 264 | 1 | |a Chicago ; |a London : |b University of Chicago Press, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (x, 273 pages) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: from medium to site -- Rhetorics of expansion -- Leaving the movie theater -- Moving images in the gallery -- Cinema on stage -- The festival, the factory, and feedback -- Epilogue: the homelessness of the moving image. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Today, the moving image is ubiquitous in global contemporary art. This book travels back to the 1950s and 1960s, when the rise of television caused movie theatres to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Uroskie argues that the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theatre to original spaces and contexts. | |
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| 650 | 0 | |a Art and motion pictures. | |
| 650 | 0 | |a Art, Modern. | |
| 650 | 0 | |a Art |y 20th century. | |
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