Popular music and the new auteur : visionary filmmakers after MTV /

Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-vid...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Ashby, Arved Mark (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, [2013]
Temas:
Motion picture music > History and criticism.
Popular music in motion pictures.
Film, Musique de > Histoire et critique.
Musique populaire au cinéma.
MUSIC > Instruction & Study > Theory.
Motion picture music
Popular music in motion pictures
Filmmusik
Filmregisseur
Popmusik
Rezeption
USA
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • "Without music, I would be lost": Scorsese, Goodfellas, and a new soundtrack practice / Julie Hubbert
  • Lost in transition: popular music, adolescence, and the melodramatic mode of Sofia Coppola / Tim Anderson
  • A musical tour of the bizarre: popular music as fantasy in David Lynch / Gene Willet
  • Songs of delusion: popular music and the aesthetics of the self in Wong Kar-wai's cinema / Giorgio Biancorosso
  • O, brother, where chart thou?: popular music and the Coen brothers / Jeff Smith
  • You've heard this one before: Quentin Tarantino's scoring practice from Kill Bill to Inglorious basterds / Ken Garner
  • Wes Anderson: ironist and auteur / Arved Ashby.

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