Cargando…
Popular music and the new auteur : visionary filmmakers after MTV /
Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-vid...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
[2013]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn870271159 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||||||| | ||
| 008 | 140210s2013 nyua ob 001 0 eng | ||
| 040 | |a LGG |b eng |e rda |e pn |c LGG |d YDXCP |d OCLCO |d OCLCF |d OCLCQ |d UAB |d N$T |d OCLCO |d YDX |d OCLCO |d OCLCQ |d EBLCP |d CEF |d OCLCA |d WYU |d OCLCA |d OCLCQ |d OCLCA |d OCLCQ |d K6U |d NLE |d SXB |d OCLCQ |d SFB |d OCLCO |d OCLCQ |d OCLCO | ||
| 019 | |a 870284628 |a 983738947 |a 1044463081 |a 1181256757 |a 1181683210 | ||
| 020 | |a 9780199369560 |q (electronic bk.) | ||
| 020 | |a 0199369569 |q (electronic bk.) | ||
| 020 | |a 9780199827343 |q (electronic bk.) | ||
| 020 | |a 0199827346 |q (electronic bk.) | ||
| 020 | |z 9780199827336 |q (hardcover ; |q alk. paper) | ||
| 020 | |z 0199827338 |q (hardcover ; |q alk. paper) | ||
| 020 | |z 9780199827350 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 0199827354 |q (pbk. ; |q alk. paper) | ||
| 024 | 8 | |a 40022992256 | |
| 035 | |a (OCoLC)870271159 |z (OCoLC)870284628 |z (OCoLC)983738947 |z (OCoLC)1044463081 |z (OCoLC)1181256757 |z (OCoLC)1181683210 | ||
| 050 | 4 | |a ML2075 |b .P65 2013 | |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 082 | 0 | 4 | |a 781.5/42 |2 23 |
| 084 | |a LR 53509 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Popular music and the new auteur : |b visionary filmmakers after MTV / |c edited by Arved Ashby. |
| 264 | 1 | |a New York : |b Oxford University Press, |c [2013] | |
| 300 | |a 1 online resource (vi, 217 pages : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 504 | |a Includes bibliographical references (pages 203-209) and index. | ||
| 505 | 0 | |a "Without music, I would be lost": Scorsese, Goodfellas, and a new soundtrack practice / Julie Hubbert -- Lost in transition: popular music, adolescence, and the melodramatic mode of Sofia Coppola / Tim Anderson -- A musical tour of the bizarre: popular music as fantasy in David Lynch / Gene Willet -- Songs of delusion: popular music and the aesthetics of the self in Wong Kar-wai's cinema / Giorgio Biancorosso -- O, brother, where chart thou?: popular music and the Coen brothers / Jeff Smith -- You've heard this one before: Quentin Tarantino's scoring practice from Kill Bill to Inglorious basterds / Ken Garner -- Wes Anderson: ironist and auteur / Arved Ashby. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-video-induced changes to infiltrate their feature films, and defines these filmmakers' relation to the soundtrack as their key authorial gesture. | |
| 546 | |a Text in English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Motion picture music |x History and criticism. | |
| 650 | 0 | |a Popular music in motion pictures. | |
| 650 | 6 | |a Film, Musique de |x Histoire et critique. | |
| 650 | 6 | |a Musique populaire au cinéma. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 650 | 7 | |a Popular music in motion pictures |2 fast | |
| 650 | 7 | |a Filmmusik |2 gnd | |
| 650 | 7 | |a Filmregisseur |2 gnd | |
| 650 | 7 | |a Popmusik |2 gnd | |
| 650 | 7 | |a Rezeption |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Ashby, Arved Mark, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Popular music and the new auteur. |d New York : Oxford University Press, [2013] |z 9780199827336 |w (DLC) 2013007164 |w (OCoLC)829446044 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1069228 |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4842476 | ||
| 938 | |a EBSCOhost |b EBSC |n 1069228 | ||
| 938 | |a YBP Library Services |b YANK |n 11316982 | ||
| 938 | |a YBP Library Services |b YANK |n 13067055 | ||
| 994 | |a 92 |b IZTAP | ||