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00000cam a2200000 i 4500 |
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EBSCO_ocn869735803 |
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OCoLC |
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20231017213018.0 |
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m o d |
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cr cnu---unuuu |
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140203s2014 nyu ob 001 0 eng d |
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019 |
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|a 869640206
|a 875741763
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|a 9781107731950
|q (electronic bk.)
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|a 110773195X
|q (electronic bk.)
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|a 9781139424769
|q (electronic bk.)
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|a 1139424769
|q (electronic bk.)
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|z 9781107032224
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|z 1107032229
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|z 9781107723832
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|z 1107723833
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|a AU@
|b 000052813788
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|a (OCoLC)869735803
|z (OCoLC)869640206
|z (OCoLC)875741763
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043 |
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|a e-uk-en
|a e-fr---
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|a ND3337
|b .S26 2014eb
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|a ART
|x 013000
|2 bisacsh
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|a CRA
|x 047000
|2 bisacsh
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|a 745.6/7094
|2 23
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084 |
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|a HIS010000
|2 bisacsh
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|a UAMI
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100 |
1 |
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|a Sand, Alexa Kristen.
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245 |
1 |
0 |
|a Vision, devotion, and self-representation in late medieval art /
|c Alexa Sand.
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264 |
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1 |
|a New York :
|b Cambridge University Press,
|c 2014.
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300 |
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|a 1 online resource
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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520 |
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|a "This book focuses on one of the most attractive yet poorly understood features of late-medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her own prayer-book"--
|c Provided by publisher
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504 |
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|a Includes bibliographical references and index.
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588 |
0 |
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|a Print version record.
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505 |
0 |
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|a Cover; Vision, Devotion, and Self-Representation in Late Medieval Art; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction: Self-Reflection, Devotion, and Vision in the Image of the Book Owner at Prayer; Chapter One Saving Face: The Veronica and the Visio Dei; The Veronica and Matthew Paris; Visual Prayers: Uses of the Veronica; Portrait as Proof: The Holy Face and the Visio Dei Controversy; Appendix: The Text of the "Office of Innocent III" and Ave facies praeclara; Chapter Two From Memoria to Visio: Revising the Donor.
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505 |
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|a Patrons, Authors, Scribes: The Visual Vocabulary of Portraiture before 1200From Authentication to Reflection: Author and Owner in the Context of Devotion; Envisioning David, Embodying Prayer; Conclusions; Chapter Three Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing; Intimate Spectacle: The Rise of Reflexive Imagery in the Book of Hours; From the Margins to the Center: Staging Visual Devotion in the Full-Page Owner Portrait; Reflexive Portraits and Aristocratic Identity; Chapter Four Domesticating Devotion: Body, Space, and Self.
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505 |
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|a Spiritual Places: Portability and VisibilityBlazons: Identity, the Body, and Space; Situating the Book Owner; Conclusion: Power and the Portrait: Negotiating Gender; A Distant Mirror of Devotion; Visible Invisibility -- the Problem of Gender; Notes; Introduction Self-Reflection, Devotion, and Vision in the Image of the Book Owner at Prayer; One. Saving Face: The Veronica and the Visio Dei; Two. From Memoria to Visio: Revising the Donor; Three. Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing; Four. Domesticating Devotion: Body, Space, and Self.
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|a Conclusion. Power and the Portrait: Negotiating GenderBibliography; Manuscripts Cited; Admont, Austria; Amiens; Baltimore; Bamberg; Besançon; Brussels; Cambrai; Cambridge, England; Cologne; Darmstadt; Evreux; Lisbon; London; Longleat House, Wiltshire, England; Marseille; Metz; Munich; New Haven, Connecticut; New York; Nuremberg; Oxford; Paris; Prague; San Marino; Santa Monica; Trier; Venice; Vienna; Primary Sources; Secondary Sources; Index; Plates.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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0 |
|a Portraits, Medieval
|z England.
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650 |
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0 |
|a Portraits, Medieval
|z France.
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650 |
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0 |
|a Women
|z England
|v Portraits.
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650 |
|
0 |
|a Women
|z France
|v Portraits.
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650 |
|
0 |
|a Illumination of books and manuscripts, Medieval
|z England.
|
650 |
|
0 |
|a Illumination of books and manuscripts, Medieval
|z France.
|
650 |
|
0 |
|a Prayer books
|z England.
|
650 |
|
0 |
|a Prayer books
|z France.
|
650 |
|
6 |
|a Portraits médiévaux
|z Angleterre.
|
650 |
|
6 |
|a Portraits médiévaux
|z France.
|
650 |
|
6 |
|a Enluminure médiévale
|z Angleterre.
|
650 |
|
6 |
|a Enluminure médiévale
|z France.
|
650 |
|
6 |
|a Livres de prières
|z Angleterre.
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650 |
|
6 |
|a Livres de prières
|z France.
|
650 |
|
7 |
|a HISTORY
|z Europe
|x General.
|2 bisacsh
|
650 |
|
7 |
|a ART
|x Folk & Outsider Art.
|2 bisacsh
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650 |
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7 |
|a CRAFTS & HOBBIES
|x Folkcrafts.
|2 bisacsh
|
650 |
|
7 |
|a Illumination of books and manuscripts, Medieval.
|2 fast
|0 (OCoLC)fst00967326
|
650 |
|
7 |
|a Portraits, Medieval.
|2 fast
|0 (OCoLC)fst01072377
|
650 |
|
7 |
|a Prayer books.
|2 fast
|0 (OCoLC)fst01074734
|
650 |
|
7 |
|a Women.
|2 fast
|0 (OCoLC)fst01176568
|
651 |
|
7 |
|a England.
|2 fast
|0 (OCoLC)fst01219920
|
651 |
|
7 |
|a France.
|2 fast
|0 (OCoLC)fst01204289
|
655 |
|
7 |
|a Portraits.
|2 fast
|0 (OCoLC)fst01423831
|
776 |
0 |
8 |
|i Print version:
|a Sand, Alexa Kristen.
|t Vision, devotion, and self-representation in late medieval art
|z 9781107032224
|w (DLC) 2013027299
|w (OCoLC)854512624
|
856 |
4 |
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