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Thinking in film : the politics of video installation according to Eija-Liisa Ahtila /
What is a moving image, and how does it move us? In Thinking In Film, celebrated theorist Mieke Bal engages in an exploration - part dialogue, part voyage - with the video installations of Finnish artist Eija-Liisa Ahtila to understand movement as artistic practice and as affect. Through fifteen yea...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Bloomsbury,
[2013]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Prologue
- Introduction. Thinking in film ; Thinking moving : artistic practice ; The political of the aesthetic : theoretical practice
- Exhibition : syntax. This is not an exhibition ; Zooming in : exhibition as close-up ; The end ; The beginning ; Where are we? between politics and aesthetics ; Retrospection : how exhibition syntax works ; Hearing sounds : ruf ruf ; Death against mastery ; Theater of mirrors
- Work : meaning. What if? the politics of legibility ; "I am where the sounds are" ; Beyond the face ; Psychotic modeling and psychosis as model ; The camera as narrator ; Singularizing the senses : destroying timespace ; Being in time? philosophy and the paddleboat ; Feminism and the house ; Affect as a language
- Installation : threshold. If time was space ; If cinema was gallery ; The gallery as political space ; On the threshold ; Black as leader ; The threshold as index ; If she was other ; Moving subjectivity installed
- Narrative : ending. End of story ; Storytelling to the dogs ; Indexical narration ; "Thought cold as snow" ; Sense-time ; Corn-possibility ; Turning corners, learning to bow, bowing out
- Genre contact : spaces. Genre as habit and habitat ; Today as (anti- ) melodrama ; Melodrama and mourning ; Figurations of death ; Death as configuration ; Death and the poet ; Mektoub
- Epilogue: Images.