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Shakespeare and the confines of art /
First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and trage...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Routledge,
1968.
|
| Colección: | Routledge library editions. Shakespeare ;
11. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Edwards, Philip, |d 1923- | |
| 245 | 1 | 0 | |a Shakespeare and the confines of art / |c Philip Edwards. |
| 264 | 1 | |a London : |b Routledge, |c 1968. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Routledge library editions. Shakespeare. Critical studies ; |v XI | |
| 588 | 0 | |a Print version record. | |
| 500 | |a Originally published in 1968 by Methuen & Co. Ltd. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (ebrary, viewed November 14, 2013). | |
| 505 | 0 | |a Cover; Shakespeare and the Confines of Art; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; 1 The Contrary Valuations; 2 The Sonnets to the Dark Woman; 3 Love's Labour's Lost; 4 The Abandon'd Cave; 5 Romeo and Juliet; 6 Hamlet; 7 The Problem Plays (i); 8 The Problem Plays (ii); 9 The Jacobean Tragedies; 10 Last Plays; Conclusion; Notes; Index. | |
| 520 | |a First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic. | ||
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| 650 | 7 | |a Art, Abstract, in literature |2 fast | |
| 650 | 7 | |a Technique |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Edwards, Philip. |t Shakespeare and the Confines of Art. |d Hoboken : Taylor and Francis, ©2013 |z 9780415352826 |
| 830 | 0 | |a Routledge library editions. |p Shakespeare ; |v 11. | |
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