A literary occupation : responses of German writers in service in occupied Europe /
Pax in Bello, peace in the midst of war, was the motto one writer chose to signify the private dilemma: how could the humanist, clad in the uniform of the occupier, write of liberal values, see with a liberal eye - and publish, or hope to? From the armistice peace of occupied France, from the partis...
Clasificación: | Libro Electrónico |
---|---|
Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Amsterdam ; New York :
Rodopi,
2013.
|
Colección: | Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;
168. |
Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title Page ; Copyright Page ; Contents ; 1. Introduction ; 1.1. A civil literature in an uncivil time ; 1.2. The propaganda imperative ; 1.3. Literary conscripts ; 1.4. A Franco-Hellenic axis ; 1.5. The German philhellenic paradigm ; 1.6. The literary-critical focus: the aesthetic ; 1.7. A reappraisal of critical reception ; 1.8. Prevailing literary form ; 1.9. The Kriegstagebuch: mastery and criticism ; 1.10. Editions and source texts: methodology ; 2. Kulturpolitik: courtship, custodianship ; 2.1. Myth and realities; 2.2. France: the centrality of Paris.
- 2.3. Greece: apprehending the antique 3. Literature on two fronts ; 3.1. Involuntary tourism ; 3.2. The Francophile's dilemma ; 3.3. Culture shock: the East ; 3.4. Applied fictive form ; 4. Aesthetic dissidence ; 4.1. Erhart Göpel's Die Normandie and Die Bretagne ; 4.2. Göpel and Erhart Kästner: freedom of the aesthete ; 4.3. Griechen!and/Kreta: repossession of classical Greece ; 4.4. Aesthetic of light: Erhart Kästner and Felix Hartlaub ; 4.5. Aesthetic of stone: Kästner's appeal for moderation ; 4.6. Mentioning the war: classical elision ; 4.7. The redundancy of revision.
- 4.8. Kästner, Hauptmann, Heidegger: Wortunder ; 5. Felix Hartlaub: Paris underground ; 5.1. Formative influences on We!tanschauung ; 5.2. The migrant j!dneur ; 5.3. Idle pursuit? The wartime j!dneur ; 5.4. Hartlaub: the writing persona ; 5.5. Doppelgänger: Hartlaub and ""Er"" ; 5.6. Phenomenology of a city ; 5.6.1. Paris: elemental transmutation ; 5.6.2. The body municipal ; 5.6.3. Anthropometric ironies ; 5.7. erzih!te Zeit: relegation of chronological time ; 5.8. Occupation: alien aesthetic ; 5.9. Sub-texts of subversion ; 5.10. Colour as agent ; 5.10.1. The coded spectrum.
- 5.10.2. Colour as re-animation 5.10.3. Colour as isolation: studies in grey ; 5.10.4. Colour as myopia: the use of etiolation ; 5.11. The centrality of the Paris sketches: critical reception ; 5.12. Lacunae, resistance speculation, death of a j!dneur ; 6. Conclusion ; 6.1. Fortunes of war ; 6.2. The modes of literary response: an evaluation ; Bibliography ; Illustrations.