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|a Hamilakis, Yannis,
|d 1966-
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|a Archaeology and the senses :
|b human experience, memory, and affect /
|c Yannis Hamilakis.
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|a New York, NY :
|b Cambridge University Press,
|c 2014.
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|a 1 online resource
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|a "This book is an exciting new look at how archaeology has dealt with the bodily senses and offers an argument for how the discipline can offer a richer glimpse into the human sensory experience. Yannis Hamilakis shows how, despite its intensely physical engagement with the material traces of the past, archaeology has mostly neglected multi-sensory experience, instead prioritizing isolated vision and relying on the Western hierarchy of the five senses. In place of this limited view of experience, Hamilakis proposes a sensorial archaeology that can unearth the lost, suppressed, and forgotten sensory and affective modalities of humans. Using Bronze Age Crete as a case study, Hamilakis shows how sensorial memory can help us rethink questions ranging from the production of ancestral heritage to large-scale social change, and the cultural significance of monuments. Tracing the emergence of palaces in Bronze Age Crete as a celebration of the long-term, sensuous history and memory of their localities, Hamilakis points the way to reconstituting archaeology as a sensorial and affective multi-temporal practice. At the same time, he proposes a new framework on the interaction between bodily senses, things, and environments, which will be relevant to scholars in other fields"--
|c Provided by publisher
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|a Includes bibliographical references and index.
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|a Print version record.
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|a Cover; Archaeology and the senses; Title page; Copyright page; Dedication; Contents; Figures; Preface; 1 Demolishing the museum of sensory ab/sense; 2 Western modernity, archaeology, and the senses; Cesspools and bourgeois experience; Class, race, and the construction of modernist sensorial regimes; The senses in early philosophical thought and social theory: A brief excursus; Sensorial clashes: Archaeology and the sensorial regimes of modernity; Archaeology as an 'exhibitionary' discipline; The photographic and the archaeological.
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|a Sacred antiquities: The dialectic between sensorial intimacy and distanceThe silence of the museum; Archaeological paradigms and sensoriality; A ghost is haunting archaeology. . .; 3 Recapturing sensorial and affective experience; A new era for sensoriality?; New multi-sensorial arenas, new sensorial fields? The cinema and the museum; Philosophies of sensoriality; How many senses are there?; Corporeal visuality?; Food/senses/memories; Sensoriality as bio-politics; Eating and sensoriality: a gustemology or a new ontology?; Archaeologies of the senses.
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|a Landscape phenomenology as archaeology of the senses?Spatial technologies, virtual realities, archaeologies of the senses?; Conclusions; 4 Senses, materiality, time: A New Ontology; The senses are about the nature and status of being; The senses are infinite; Archaeology can explore that sensorial infinity; From the body and the thing, to the field and the flow; Sensorial flows are risky and unpredictable; The senses are political; The senses are historical; Every sensorial perception is full of memories; Sensorial reflexivity should be the starting point of any sensorial analysis.
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|a The senses are multi-temporal -- they activate the multi-temporality of matter: a Bergsonian ontologyArchaeologies of the senses are also archaeologies of affect; Sensorial assemblages; From ontology to ontogeny; 5 Sensorial necro-politics: The Mortuary Mnemoscapes of Bronze Age Crete; The Smell of Death; Diverse sensorialities in the burial arena; The emergence of the 'individual'?; Individuals and personhood in archaeology; From individuals to trans-corporeality; The dialectic between sensorial remembering and forgetting; The mortuary landscape as a chronotopic map; Sensorial necro-politics.
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|a 6 Why 'palaces'?Crete of a hundred palaces? Court-centred buildings as arenas of sensoriality; Palaces as celebrations of sensorial and mnemonic history; (1) Sense of Place; (2) Sense of Embodied Commensality; (3) Sense of Ancestral Lineage and Continuity; Regimenting and regulating sensorial experience: the production of a mnemonic record; Smashing pots; Performative audio-vision: experiencing wall paintings; Archaeology as sensorial and mnemonic history: conclusion; 7 From corporeality to sensoriality, from things to flows; Notes; 1 Demolishing the museum of sensory ab/sense.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Archaeology
|x Methodology.
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|a Senses and sensation.
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|a Crete (Greece)
|x Antiquities.
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|a Material culture
|x Psychological aspects.
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|a Sensation
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|a Archéologie
|x Méthodologie.
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|a Sens et sensations.
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|a Crète (Grèce)
|x Antiquités.
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|a Culture matérielle
|x Aspect psychologique.
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|a SOCIAL SCIENCE
|x Archaeology.
|2 bisacsh
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|a HISTORY
|x Ancient
|x General.
|2 bisacsh
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|a Antiquities
|2 fast
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|a Archaeology
|x Methodology
|2 fast
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|a Senses and sensation
|2 fast
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|a Greece
|z Crete
|2 fast
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|a Archäologie
|2 gnd
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|a Empfindung
|2 gnd
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|a Kreta
|2 gnd
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|i Print version:
|a Hamilakis, Yannis, 1966-
|t Archaeology and the senses
|z 9780521837286
|w (DLC) 2013028541
|w (OCoLC)859745264
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