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EBSCO_ocn867317517 |
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|a UAMI
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1 |
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|a Gilmore, Dehn,
|d 1980-
|e author.
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|a The Victorian novel and the space of art :
|b fictional form on display /
|c Dehn Gilmore.
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|a Cambridge :
|b Cambridge University Press,
|c 2013.
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|a 1 online resource (260 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cambridge Studies in Nineteenth-Century Literature and Culture
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|a Print version record.
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|a Cover; Contents; Illustrations; Acknowledgments; Introduction Seeing how the Victorians saw; Glimpses; A closer look; Literary expansions; Literary uncertainty; Artistic expansions; Artistic uncertainty; A tour; Intersections; Chapter 1Terms of art: reading the Dickensian gallery; The rise of the middle-class collector; A revolution in taste and the rise of aesthetic mixture; The gallery's glare and bustle; Dickens and the art market; Dickens as writer and painter; Dickens for readers and viewers; The novel and the gallery, the novel as gallery.
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|a Chapter 2The difficulty of historical work in the nineteenth-century museum and the Thackerayan novelTrouble in the historical novel and at the museum; The museums' messy cleanup; Thackeray and the museum; Esmond and the museum; The art of Thackeray's critics; Chapter 3"Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular; The great exhibitions; The unbewildered gaze; The Woman in White and the exhibition; Familiar looking and the sensation novel; Repeated looking and the sensation novel.
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|a Chapter 4"The interesting subject of the art of the future": Thomas Hardy and the historicity of tasteHardy as aficionado; The rise of the art critic; The art of the present; The art of the future; Hardy and the art of the future; A Laodicean: an ambivalent stance; The Hand of Ethelberta: the museum versus the Royal Academy; Jude the Obscure: the death of taste; The Well-Beloved: farewell to all that; An afterword from the British Museum: the viewing voice; Conclusion Rethinking how we see the Victorians; Notes; Introduction:Seeing how the Victorians saw.
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|a 1 Terms of art: reading the Dickensian gallery2 The difficulty of historical work in the nineteenth-century museum and the Thackerayan novel; 3"Truly it was astonishing!": the exhibition, the sensation novel, and the culture of the spectacular; 4 "The interesting subject of the art of the future": Thomas Hardy and the historicity of taste; Conclusion Rethinking how we see the Victorians; Bibliography; Primary sources; Secondarysources; Index.
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|a An interdisciplinary study of the relationship between the Victorian novel and visual art including galleries, museums and The Great Exhibition.
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504 |
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|a Includes bibliographical references and index.
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546 |
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|a English.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Centro para la Promoción de la Conservación del Suelo y del Agua
|g Buenos Aires
|2 gnd
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650 |
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|a English fiction
|y 19th century
|x History and criticism.
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650 |
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|a Art and literature
|z Great Britain
|x History
|y 19th century.
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650 |
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|a Art in literature.
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650 |
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|a Arts in literature.
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650 |
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|a Roman anglais
|y 19e siècle
|x Histoire et critique.
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650 |
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|a Art et littérature
|z Grande-Bretagne
|x Histoire
|y 19e siècle.
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650 |
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|a Art dans la littérature.
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650 |
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|a Arts dans la littérature.
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a Art and literature
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|a Art in literature
|2 fast
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|a Arts in literature
|2 fast
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|a English fiction
|2 fast
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|a Great Britain
|2 fast
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|a Englisch
|2 gnd
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|a Literatur
|2 gnd
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|a Kunst
|g Motiv
|2 gnd
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|a 1800-1899
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
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0 |
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|i Print version:
|a Gilmore, Dehn, 1980-
|t Victorian novel and the space of art
|z 9781107044227
|w (DLC) 2013032791
|w (OCoLC)859223692
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830 |
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|a Cambridge studies in nineteenth-century literature and culture.
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