Cargando…
Music, modernity, and God : essays in listening /
Jeremy Begbie explores how the practices of music and the discourses it has generated bear witness to some of the pivotal theological currents and counter-currents shaping modernity. Begbie argues that music is capable of yielding highly effective ways of addressing some of the more intractable theo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
2013.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn865835528 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 130418s2013 nyu ob 001 0 eng d | ||
| 040 | |a E7B |b eng |e rda |e pn |c E7B |d N$T |d UKMGB |d YDXCP |d VLB |d OCLCF |d EBLCP |d OCLCQ |d HS0 |d OCLCQ |d K6U |d OCLCO |d OCLCQ |d NZDKN |d SFB |d OCL |d OCLCO | ||
| 016 | 7 | |a 016529659 |2 Uk | |
| 020 | |a 9780191611810 |q (electronic bk.) | ||
| 020 | |a 0191611816 |q (electronic bk.) | ||
| 020 | |z 9780199292448 | ||
| 035 | |a (OCoLC)865835528 | ||
| 050 | 4 | |a ML160 |b .B45 2013eb | |
| 072 | 7 | |a REL |x 012110 |2 bisacsh | |
| 072 | 7 | |a REL |x 070000 |2 bisacsh | |
| 082 | 0 | 4 | |a 261.578 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Begbie, Jeremy. | |
| 245 | 1 | 0 | |a Music, modernity, and God : |b essays in listening / |c Jeremy Begbie. |
| 264 | 1 | |a New York : |b Oxford University Press, |c 2013. | |
| 300 | |a 1 online resource (270 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (ebrary, viewed November 22, 2013). | |
| 505 | 0 | |a Cover; Music, Modernity, and God: Essays in Listening; Copyright; Dedication; Acknowledgements; Contents; List of Figures; 1: Introduction: Listening to Music; 'MODERNITY'?; A TALE OF ORIGINS; SETTING THE SCENE; 2: Shifting Sensibilities: Calvin and Music; MUSIC, WORDS, AND THE WORD; Music's Power; Delights and Dangers; Text and Music; The Primacy of Scripture; MUSIC AND COSMOS: COMPARING CALVIN AND LUTHER; WIDER MOVEMENTS AND QUESTIONS; Returning to Geneva; 3: Disquieting Conversations: Bach, Modernity, and God; SUBJECTIVITY AND CREATIVITY; ORDER AND OPENNESS; TIME AND ETERNITY | |
| 505 | 8 | |a Berger on Bach, Time, and EternityBerger's Time and Eternity; Bach's Theological World; Musical Witness; THE CONVERSATION CONTINUES; Rebounding Questions; 4: The Nature of Music: Rameau, Rousseau, and 'Natural Theology'; RAMEAU AND ROUSSEAU; Rameau and the 'Natural'; Rousseau and the 'Natural'; WHAT IS NATURAL ABOUT NATURAL THEOLOGY?; Nature/the Natural in Christ; MUSIC'S 'NATURAL' WITNESS; Music and Cosmos; Music and the Human; Music and Culture; Music and Renewed Reason; 5: Musical Apotheosis: Early German Romanticism; SOUNDING THE INFINITE; The Travails of Language; Music's Regeneration | |
| 505 | 8 | |a Longing for HomeThe Music of Nature; Philosophy and Music; PROVOCATIONS; METAPHYSICS AND THEOLOGY; RETRIEVAL AND ADVANCE; Normativity; Finitude; Hope; 6: Room of One's Own? Music, Space, and Freedom; ZERO-SUM THEOLOGY; How Can God and The World Be Free Together?; How Can God and Humankind Be Free Together?; Two In One Space; Three in One Space; SOUND SPACE; Sounds as 'Secondary Objects' and 'Pure Events'; The Space of Sounds; Interpenetration; 'Coming From' and 'Coming Towards'; Resonant Order; SOUND DOCTRINE; Transcendence and Immanence Transposed; Agency in Concord | |
| 505 | 8 | |a Christological CounterpointTrinitarian Soundings; CONCLUSION; 7: Music and God-Talk (1): Mapping the Field; MODELLING MULTIMEDIA; Direct Correspondence: Conformance; Disturbing Incongruity: Contest; Peaceful Difference: Complementation; Standing Back; PRESSING QUESTIONS; 8: Music and God-Talk (2): Interaction in Action; WHAT KIND OF PRIMACY?; Speaking and Writing Sola Gratia; Finitude, Corruption, and Meaning; MUSIC IN THE COMPANY OF THEOLOGICAL LANGUAGE; Language 'Alone'?; Constructive Musical Theology; Two Examples; A Glance Back at the Models; Is Music Being Taken Seriously Enough? | |
| 520 | 8 | |a Jeremy Begbie explores how the practices of music and the discourses it has generated bear witness to some of the pivotal theological currents and counter-currents shaping modernity. Begbie argues that music is capable of yielding highly effective ways of addressing some of the more intractable theological problems and dilemmas of modernity. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Art and religion. | |
| 650 | 0 | |a Music |x Religious aspects |x Christianity. | |
| 650 | 0 | |a Music |x Social aspects. | |
| 650 | 0 | |a Music and language. | |
| 650 | 0 | |a Music |x History and criticism. | |
| 650 | 6 | |a Art et religion. | |
| 650 | 6 | |a Musique |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect social. | |
| 650 | 6 | |a Musique et langage. | |
| 650 | 7 | |a RELIGION |x Christian Life |x Social Issues. |2 bisacsh | |
| 650 | 7 | |a RELIGION |x Christianity |x General. |2 bisacsh | |
| 650 | 7 | |a Music |x Social aspects |2 fast | |
| 650 | 7 | |a Music |x Religious aspects |x Christianity |2 fast | |
| 650 | 7 | |a Music and language |2 fast | |
| 650 | 7 | |a Art and religion |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=654506 |z Texto completo |
| 936 | |a BATCHLOAD | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL3055766 | ||
| 938 | |a ebrary |b EBRY |n ebr10786935 | ||
| 938 | |a EBSCOhost |b EBSC |n 654506 | ||
| 938 | |a YBP Library Services |b YANK |n 11304791 | ||
| 994 | |a 92 |b IZTAP | ||