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|n Title subscribed to via ProQuest Academic Complete
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|a n-us---
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|a PN1995.9.C55
|b B345 2013
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|a 791.43/617/0973
|2 23
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|a UAMI
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|a Balcerzak, Scott,
|e author.
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1 |
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|a Buffoon men :
|b classic Hollywood comedians and queered masculinity /
|c Scott Balcerzak.
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|a Detroit, Michigan :
|b Wayne State University Press,
|c [2013]
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300 |
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|a 1 online resource (x, 258 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a text file
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|b PDF
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1 |
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|a Contemporary approaches to film and media series
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|a Includes bibliographical references (pages 237-248) and index.
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|a Introduction : "Someone like me for a member" : classic Hollywood comedians and buffoonish masculinity -- "Novelties and notions" : Mae West meets W.C. Fields -- Con men and henpecked husbands : W.C. Fields as masculine icon -- "Whitefacing" the nebbish : Eddie Cantor's assimilation and influence -- Queered radio/Queered cinema : Jack Benny's mediated voice -- Queering the fraternity : Laurel and Hardy and heterosexual brotherhood -- Military disservice : Wheeler and Woolsey and Abbott and Costello join the army -- Conclusion : Beyond classic Hollywood/Beyond buffoonish masculinity.
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|a Film scholars and fans have used distinctive terms to describe the Classic Hollywood comedian: he is a "trickster," a "rebel," or a "buffoon." Yet the performer is almost always described as a "he." In this book, the author reads the performances of notable comedians such as W.C. Fields, Eddie Cantor, Jack Benny, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, and Bud Abbott and Lou Costello through humor and queer theory to expose a problematic history of maleness in their personas. He argues that contrary to popular notions of Classic Hollywood history, these male comedians rearranged or, at times, rejected heteronormative protocols. -- Publisher's website
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|a Print version record.
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546 |
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|a English.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
|
0 |
|a Comedy films
|z United States
|x History and criticism.
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650 |
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0 |
|a Motion pictures
|x Social aspects
|z United States.
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650 |
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|a Masculinity in motion pictures.
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650 |
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|a Queer theory.
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650 |
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6 |
|a Films comiques
|z États-Unis
|x Histoire et critique.
|
650 |
|
6 |
|a Cinéma
|x Aspect social
|z États-Unis.
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650 |
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|a Masculinité au cinéma.
|
650 |
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|a Théorie queer.
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650 |
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Comedy films
|2 fast
|
650 |
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|a Masculinity in motion pictures
|2 fast
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650 |
|
7 |
|a Motion pictures
|x Social aspects
|2 fast
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650 |
|
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|a Queer theory
|2 fast
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651 |
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|a United States
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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0 |
8 |
|i Print version:
|a Balcerzak, Scott.
|t Buffoon men.
|d Detroit, Michigan : Wayne State University Press, [2013]
|z 9780814339657
|w (DLC) 2013006169
|w (OCoLC)828487104
|
830 |
|
0 |
|a Contemporary approaches to film and media series.
|
856 |
4 |
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