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EBSCO_ocn864139177 |
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|a Hogue, W. Lawrence,
|d 1951-
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245 |
1 |
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|a Postmodernism, traditional cultural forms, and African American narratives /
|c W. Lawrence Hogue.
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|a Albany :
|b State University of New York Press,
|c [2013]
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300 |
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|a 1 online resource (viii, 331 pages)
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|a Includes bibliographical references (pages 301-324) and index.
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|a Online resource; title from e-book title screen (EbscoHost platform, viewed March 17, 2014).
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|a Postmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion.
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|a "Examines how six writers reconfigure African American subjectivity in ways that recall postmodernist theory"--Provided by publisher
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|a eBooks on EBSCOhost
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|a American literature
|x African American authors
|x History and criticism.
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|a Subjectivity in literature.
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|a African Americans
|x Intellectual life.
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|a Postmodernism (Literature)
|z United States.
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6 |
|a Subjectivité dans la littérature.
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650 |
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|a Noirs américains
|x Vie intellectuelle.
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|a Postmodernisme (Littérature)
|z États-Unis.
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|a LITERARY CRITICISM
|x American
|x General.
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|a African Americans
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|a American literature
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|a Postmodernism (Literature)
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|a Subjectivity in literature
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|a United States
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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776 |
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|i Print version:
|a Hogue, W. Lawrence, 1951-
|t Postmodernism, traditional cultural forms, and African American narratives
|z 9781438448350
|w (DLC) 2012045528
|w (OCoLC)823742045
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