Representing the good neighbor : music, difference, and the Pan American dream /

In this work, Carol A. Hess investigates the reception of Latin American art music in the US during the Pan American movement of the 1930s and 40s. Hess uncovers how and why attitudes towards Latin American music shifted so dramatically during the middle of the 20th century, and what this tells us a...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hess, Carol A. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, [2013]
Colección:Currents in Latin American & Iberian music.
Temas:
1900-1999
Music > Latin America > 20th century > History and criticism.
Music > United States > Latin American influences.
Pan-Americanism.
Musique > États-Unis > Influence latino-américaine.
Panaméricanisme.
MUSIC > Genres & Styles > Classical.
MUSIC > Reference.
Music.
Music > Latin American influences.
Latin America.
United States.
Criticism, interpretation, etc.
Music criticism and reviews.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The roots of musical Pan Americanism
  • Carlos Chávez and ur-classicism
  • The good neighbor onstage : Carlos Chávez's H.P. and dialectical indigenism
  • Caliban and unsublimated primitivism : Villa-Lobos at the 1939 World's Fair
  • The golden age : Pan Americanist culture, war, and the triumph of universalism
  • Alberto Ginastera's Bomarzo in the United States : antinationalism and the Cold War
  • Memory, music, and the Latin American Cold War : Frederic Rzewski's 36 variations on "The people united will never be defeated!"

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