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Comic transformations in Shakespeare /

First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic r...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nevo, Ruth (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Abingdon, Oxon ; New York : Routledge, 2013.
Edición:First issued in paperback 2013.
Temas:
Acceso en línea:Texto completo

MARC

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504 |a Includes bibliographical references and index. 
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534 |p Reprint. Originally published:  |c London : Methuen, 1980. 
505 0 |a Shakespeare's new comedy -- 'My glass and not my brother' -- 'Kate of Kate Hall' -- The two gentlemen of Verona -- Navarre's world of words -- Fancy's images -- Jessica's monkey; or, the Goodwins -- The case of Falstaff and The merry wives -- 'Better than reportingly' -- Existence in Arden -- Nature's bias -- Comic remedies -- Appendix: scanning a Shakespeare play. 
520 |a First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal compl. 
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