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EBSCO_ocn862049055 |
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|a 1010985055
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|a UAMI
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|a Newman, Karen.
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|a Shakespeare's Rhetoric of Comic Character.
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|a Hoboken :
|b Taylor and Francis,
|c 2013.
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|a 1 online resource (243 pages)
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|a text
|b txt
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|a Cover; Half Title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Dedication; Table of Contents; Acknowledgments; A note on texts; Introduction; 1. The inward springs: Measure for Measure II, ii, 162-87; 2. Comic plot conventions in Measure for Measure; 3. Menander and New Comedy; 4. Plautus and Terence; 5. The enchantments of Circe; 6. 'And all their minds transfigur'd': Shakespeare's early comedies; 7. Magic versus time: As You Like It and Twelfth Night; 8. Mistaking in Much Ado; 9. Shakespeare's rhetoric of consciousness; Notes; Index of plays discussed.
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|a General index.
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|a First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Shakespeare, William,
|d 1564-1616
|x Comedies.
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|a Shakespeare, William,
|d 1564-1616
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|a Comedy.
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|a Comédie.
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|a comedy plays.
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|a DRAMA
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a Comedy
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|a Humorous plays
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|i Print version:
|a Newman, Karen.
|t Shakespeare's Rhetoric of Comic Character.
|d Hoboken : Taylor and Francis, ©2013
|z 9780415489089
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856 |
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