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Signs of music : a guide to musical semiotics /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berlin ; New York :
Mouton de Gruyter,
2002.
|
| Colección: | Approaches to applied semiotics ;
3. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
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| 049 | |a UAMI | ||
| 100 | 1 | |a Tarasti, Eero. | |
| 245 | 1 | 0 | |a Signs of music : |b a guide to musical semiotics / |c by Eero Tarasti. |
| 264 | 1 | |a Berlin ; |a New York : |b Mouton de Gruyter, |c 2002. | |
| 300 | |a 1 online resource (232 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 490 | 1 | |a Approaches to applied semiotics ; |v 3 | |
| 504 | |a Includes bibliographical references (pages 201-217) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Music as sign -- |t Is music sign? -- |t Music as semiotic: A historical perspective -- |t Peirce, Greimas, and music-semiotic analysis -- |t Understanding / misunderstanding musical signs -- |t Theses on understanding / misunderstanding musical signs -- |t Theses on processes of understanding -- |t Signs in music history, history of music semiotics -- |t Signs in music itself -- |t Romanticism -- |t Modernism -- |t History of musical scholarship in the light of semiotics -- |t Main lines in the development of musical semiotics -- |t Signs as acts and events: On musical situations -- |t Situation as communication and signification -- |t Situation as act and event -- |t Situations as intertextuality -- |t Articulation of situations -- |t Gender, biology, and transcendence -- |t Metaphors of nature and organicism in music: A "biosemiotic" approach -- |t On the musically organic -- |t Sibelius and the idea of the "organic" -- |t Organic narrativity -- |t The emancipation of the sign: On corporeal and gestural meanings in music -- |t Body and transcendence in Chopin -- |t Are corporeal signs iconic? -- |t Are corporeal signs indexical? -- |t Analysis -- |t Social and musical practices -- |t Voice and identity -- |t Voice and signification -- |t Text -- |t Transcendence -- |t Orality -- |t Singing as social identity -- |t National voice types -- |t Gender -- |t Education -- |t Empirical methods -- |t On the semiosis of musical improvisation: From Mastersingers to Bororo indians -- |t Musical improvisation and semiotics -- |t Improvisation as communication -- |t Improvisation as signification: A peircean view. |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 520 | 8 | |a Annotation |b Eight essays and articles Finish scholar Tarasti has mostly written since his 1994 </Theory of Musical Semiotics/> trace his development of a new philosophical theory called existential semiotics. He intends them to provide a practical guide to studying music as sign and communication, combining his own ideas with those of recent musicology in general. They cover music as sign; gender, biology, and transcendence; and social and musical practices. Only names are indexed. Annotation c. Book News, Inc., Portland, OR (booknews.com). | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Music |x Semiotics. | |
| 650 | 0 | |a Symbolism in music. | |
| 650 | 6 | |a Sémiotique et musique. | |
| 650 | 6 | |a Musique |x Philosophie et esthétique. | |
| 650 | 6 | |a Symbolisme dans la musique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Music |x Semiotics |2 fast | |
| 650 | 7 | |a Symbolism in music |2 fast | |
| 650 | 7 | |a Musikalische Semiotik |2 gnd | |
| 650 | 1 | 7 | |a Semiotiek. |2 gtt |
| 650 | 1 | 7 | |a Muziek. |2 gtt |
| 776 | 0 | 8 | |i Print version: |a Tarasti, Eero. |t Signs of music. |d Berlin ; New York : Mouton de Gruyter, 2002. |h viii, 224 pages : illustrations ; 24 cm. |k Approaches to applied semiotics ; 3 |z 9783110172263 |w (DLC) 2002070066 |
| 830 | 0 | |a Approaches to applied semiotics ; |v 3. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=629365 |z Texto completo |
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