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|a PN1995.9.A43
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|a 791.43/651
|2 23
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|a UAMI
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|a Hollywood's Africa after 1994 /
|c edited by MaryEllen Higgins.
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|a Athens :
|b Ohio University Press,
|c 2012.
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|a 1 online resource (288 pages).
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|a text
|b txt
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|a Includes bibliographical references and index.
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|a Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz.
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|a Print version record.
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|a Hollywood's Africa after 1994 investigates Hollywood's colonial film legacy in the postapartheid era, and contemplates what has changed in the West's representations of Africa. How do we read twenty-first-century projections of human rights issues-child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation-within the contexts of celebrity humanitarianism, "new" military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamo.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a Africa
|x In motion pictures.
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|a Motion pictures
|z United States
|x History
|y 21st century.
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|a Culture conflict in motion pictures.
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|a Imperialism in motion pictures.
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|a Human rights in motion pictures.
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|a Cinéma
|z États-Unis
|x Histoire
|y 21e siècle.
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|a Impérialisme au cinéma.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Culture conflict in motion pictures
|2 fast
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|a Human rights in motion pictures
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|a Imperialism in motion pictures
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|a Motion pictures
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|a Africa
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|a United States
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|a 2000-2099
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|a History
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|a Higgins, MaryEllen,
|d 1967-
|e editor.
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|i Print version:
|t Hollywood's Africa after 1994.
|d Athens : Ohio University Press, 2012
|z 9780821420157
|z 0821420151
|w (DLC) 2012032543
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