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Animation /
Annotation
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London :
Laurence King Pub.,
2013.
|
| Colección: | Portfolio (Laurence King Publishing)
|
| Temas: | |
| Acceso en línea: | Texto completo Texto completo |
MARC
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| 050 | 4 | |a NC1765 |b .S46 2013eb | |
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| 100 | 1 | |a Selby, Andrew. | |
| 245 | 1 | 0 | |a Animation / |c Andrew Selby. |
| 260 | |a London : |b Laurence King Pub., |c 2013. | ||
| 300 | |a 1 online resource (216 pages) : |b illustrations (chiefly color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Portfolio | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Annotation |b From scriptwriting through to production, this introduction to animation for students surveys key technical processes and examines a variety of stylistic approaches. The book includes visual examples from key animators and illustrated features on how to create exciting animation for a variety of audiences. This book is a vital resource for anyone who intends to make animation a part of their career. | |
| 505 | 0 | |a Introduction -- The significance of animation -- The defining principles of animation -- The animation pipeline -- About this book -- An animation timeline -- 1. Preproduction -- planning and scriptwriting: The animation pipeline in preproduction; Scriptwriting; The vocabulary and language of animation; Approaches to scriptwriting; Genre in animation; Script development; Analyzing a script; Conclusion -- 2. Preproduction -- concepts, ideas, and research: Concepts and ideas; Research; Conclusion -- 3. Preproduction -- development: Storyboarding; The art of storyboarding; Style guides; Layouts and scenes; Development drawings; Character design; Conclusion -- 4. Preproduction -- sound: Understanding sound; The importance and use of sound; Stems of sound; The working sound studio; Conclusion -- 5. Production: The animation pipeline in production; Introduction to basic techniques; Cel animation and traditional 2D processes; Stop-motion animation; 3D computer-generated images; Unorthodox animation; Sound in production; Conclusion -- 6. Postproduction: The animation pipeline in postproduction; Preparing the production; Visuals; Sound in postproduction; Release and distribution; Conclusion -- 7. Animated futures: Education, knowledge, and understanding; Skills for future employment; Skills; Promotion; Gaining experience; Opportunities, applications, and interviews; Representation; Making it! Conclusion -- Glossary -- Further reading -- Resources -- Acknowledgments. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Animated films. | |
| 650 | 0 | |a Animation (Cinematography) | |
| 650 | 6 | |a Animation (Cinéma) | |
| 650 | 6 | |a Films d'animation. | |
| 650 | 7 | |a animations (visual works) |2 aat | |
| 650 | 7 | |a animation (process) |2 aat | |
| 650 | 7 | |a Animated films. |2 bicssc | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a Animated films |2 fast | |
| 650 | 7 | |a Animation (Cinematography) |2 fast | |
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