Dance on its own terms : histories and methodologies /

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Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Bales, Melanie, Eliot, Karen
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, [2013]
Temas:
Dance > History.
Dance > Research.
Dance > Methodology.
Danse > Histoire.
Danse > Recherche.
Danse > Méthodologie.
GAMES > Reference.
GAMES > Travel Games.
Dance.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • ""Cover""; ""Contents""; ""Introduction""; ""PART ONE: IN THE MOMENT OF RE-CREATION AND PERFORMANCE""; ""Introduction to Part One""; ""1. Dancing the Canon in Wartime: Sergeyev, de Valois, and Inglesby and the Classics of British Ballet""; ""2. Reimagining Le Boeuf sur le Toit""; ""3. Reframing the Recent Past: Issues of Reconstruction in Israeli Contemporary Dance""; ""4. The Body Censored: Dance, Morality, and the Production Code During the Golden Age of the Film Musical""; ""5. “Single Ladiesâ€? Is Gay: Queer Performances and Mediated Masculinities on YouTube""
  • ""PART TWO: WITHIN THE BODY AND MIND OF THE DANCER AND CHOREOGRAPHER""""Introduction to Part Two""; ""6. La Cosmografia del Minor Mondo: Recovering Dance Theory to Create Todayâ€?s Baroque Practice""; ""7. Touchstones of Tradition and Innovation: Pas de Deux by Petipa, Balanchine and Forsythe""; ""8. Pavlova and Her Daughters: Genealogies of Contingent Autonomy""; ""9. Joined-up Fragments in A Wedding Bouquet: Ashton, Berners and Stein""; ""10. Kaddish at the Wall: Th e Long Life of Anna Sokolowâ€?s “Prayer for the Deadâ€?""
  • ""11. Developing the American Ballet Dancer: Th e Pedagogical Lineage of Rochelle Zide-Booth""""PART THREE: IN THE SHAPE OF WRITTEN RECORDS""; ""Introduction to Part Three""; ""12. Recording the Imperial Ballet: Anatomy and Ballet in Stepanovâ€?s Notation""; ""13. Musical Expression in the Bournonville-LÃ?venskjold La Sylphide Variation""; ""14. Archives of Embodiment: Visual Culture and the Practice of Score Reading""; ""15. Reading Music, Gesture, and Narrative in Mark Morrisâ€? Dido and Aeneas""; ""16. Whatâ€?s in a Dance? The Complexity of Information in Writings about Dance""
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