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|a Panagia, Davide,
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|a Impressions of Hume :
|b cinematic thinking and the politics of discontinuity /
|c Davide Panagia.
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|a Lanham :
|b Rowman & Littlefield Publishers, Inc.,
|c [2013]
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|a 1 online resource (xxix, 158 pages) :
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|a Modernity and political thought
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|a Includes bibliographical references (pages 145-149) and index.
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|a Print version record.
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|a Davide Panagia's Impressions of Hume: Cinematic Thinking and the Politics of Discontinuity is volume fifteen of Modernity and Political Thought, the Rowman & Littlefield series in contemporary political theory.
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|a List of Illustrations; Roll Credits; Editors' Introduction; Notes; Introduction; Approaching Hume; On Beholding; Notes; 1 Film Matters; The Action-Image; Discontinuity and the Fact of the Series; Actors, Artificial Persons, and Human Somethings; Political Resistance and an Aesthetics of Politics; Notes; 2 A Treatment of Human Parts; or the Shot; On the Close-Up; Empiricism and Typographic Culture; Hume's Train of Thinking; Of Human Parts; Discomposing One's Character; Conclusion: A Micropolitics of Impressions; Notes; 3 Hume's Iconomy; An Excess of Images; Fluid Supports.
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|a ConclusionNotes; 4 Hume's Point of View; or the Screen; Single-Point Perspective and the General Point of View; Impartiality, Sympathy, Reputation from a Cinematic Point of View; The Imagination and Hume's train of thinking; The "im" of Impartiality; The Hold of Sympathy; Reputation, Promising, and Projection; Conclusion: Sympathy's Claim; Notes; Conclusion; Notes; Bibliography; Index.
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|a Hume, David,
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