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Emulation on the Shakespearean Stage /
Using the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics, this study analyzes the conflicted uses of emulation in the period. The author also reassesses and nuances our understanding of the roles and significance of emulation in the Renaissance. Among the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Farnham :
Ashgate Publishing Ltd,
[2013]
|
| Colección: | Studies in performance and early modern drama.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Dickson, Vernon Guy. | |
| 245 | 1 | 0 | |a Emulation on the Shakespearean Stage / |c Vernon Guy Dickson. |
| 260 | |a Farnham : |b Ashgate Publishing Ltd, |c [2013] | ||
| 300 | |a 1 online resource (210 pages) | ||
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| 490 | 1 | |a Studies in Performance and Early Modern Drama | |
| 505 | 0 | |a Cover; Contents; Acknowledgements; Preface; 1 "Emulation hath a thousand sons": Emulative Rhetorics in Renaissance England; 2 "A pattern, precedent, and lively warrant"; 3 "Suit the action to the word"; 4 "I am what you should be"; 5 "Act[ing] an orators part"; Afterword: Emulation's "thousand sons" and Roman Influence: Conclusions and Implications; Bibliography; Index. | |
| 520 | |a Using the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics, this study analyzes the conflicted uses of emulation in the period. The author also reassesses and nuances our understanding of the roles and significance of emulation in the Renaissance. Among the individual texts examined here are Shakespeare's Titus Andronicus and Hamlet, Jonson's Catiline, and Massinger's The Roman Actor. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |
| 650 | 0 | |a Imitation in literature. | |
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 6 | |a Imitation (Littérature) | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English drama |x Early modern and Elizabethan |2 fast | |
| 650 | 7 | |a Imitation in literature |2 fast | |
| 648 | 7 | |a 1500-1600 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Dickson, Vernon Guy. |t Emulation on the Shakespearean Stage. |d Farnham : Ashgate Publishing Ltd, ©2013 |z 9781409469285 |
| 830 | 0 | |a Studies in performance and early modern drama. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=637178 |z Texto completo |
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