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Engaging Film : Geographies of Mobility and Identity.
Engaging Film is a creative, interdisciplinary volume that explores the engagements among film, space, and identity and features a section on the use of films in the classroom as a critical pedagogical tool. Focusing on anti-essentialist themes in films and film production, this book examines how so...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Lanham :
Rowman & Littlefield Publishers,
2002.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cresswell, Tim. | |
| 245 | 1 | 0 | |a Engaging Film : |b Geographies of Mobility and Identity. |
| 260 | |a Lanham : |b Rowman & Littlefield Publishers, |c 2002. | ||
| 300 | |a 1 online resource (348 pages) | ||
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| 505 | 0 | |a Cover Page; Title Page; Copyright Page; Contents; Introduction: Engaging FilmTim Cresswell and Deborah Dixon; Part I: Engaging Mobility; 2 Rethinking the Observer: Film, Mobility, and the Construction of the Subject Mike Crang; 3 Spectacular Violence, Hypergeography, and the Question of Alienation in Pulp Fiction Scott Kirsch; 4 Telling Travelers' Tales: The World through Home Movies Heather Norris Nicholson; Part II: Engaging Identity; 5 Lacan: The Movie Marcus A. Doel and David B. Clarke. | |
| 505 | 8 | |a 6 Chips off the Old Ice Block: Nanook of the North and the Relocation of Cultural Identity Laurel Smith7 Masculinity in Conflict: Geopolitics and Performativity in The Crying Game Carl Dahlman; 8 Smoke Signals: Locating Sherman Alexie's Narratives of American Indian Identity Leo Zonn and Dick Willchell; 9 Pax Disney: The Annotated Diary of a Film Extra in India Paul Robbins; 10 Modern Identities in Early German Film: The Cabinet of Dr. Caligari Christiane Schönfeld; Part Ill : Engaging Pedagogy; 11 Practicing Film: The Autonomy of Images in Les Amants du Pont-Neuf Ulf Strohmayer. | |
| 505 | 8 | |a 12 The Real Thing? Contesting the Myth of Documentary Realism through Classroom Analysis of Films on Planning and Reconstruction John R. Gold13 On Location: Teaching the Western American Urban Landscape through Mi Vida Loca and Terminator 2 Ann Brigham and Sallie A. Marston; 14 ""We Just Gotta Eliminate 'Em"": On Whiteness and Film in Matewan, Avalon, and Bulworth Wolfgang Natter; 15 Using Film as a Tool in Critical Pedagogy: Reflections on the Experience of Students and Lecturers Chad Staddon, Phil Taylor, Paul Beard, Robert Kendall, Naomi Dunn, Chris Curtis, and Steve Vreithoff. | |
| 504 | |a BibliographyIndex; About the Contributors. | ||
| 520 | |a Engaging Film is a creative, interdisciplinary volume that explores the engagements among film, space, and identity and features a section on the use of films in the classroom as a critical pedagogical tool. Focusing on anti-essentialist themes in films and film production, this book examines how social and spatial identities are produced (or dissolved) in films and how mobility is used to create different experiences of time and space. | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [S.l.] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
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| 700 | 1 | |a Dixon, Deborah. | |
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