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EBSCO_ocn857463335 |
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OCoLC |
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20231017213018.0 |
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|a UAMI
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|a Modern American drama in screen /
|c edited by William Robert Bray and R. Barton Palmer.
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264 |
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|a Cambridge ;
|a New York :
|b Cambridge University Press,
|c 2013.
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300 |
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|a 1 online resource (xiv, 300 pages) :
|b illustrations
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|a text
|b txt
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|a computer
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|a online resource
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|a data file
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504 |
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|a Includes bibliographical references and index.
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|a Includes filmography (pages 289-292).
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|a Introduction / by R. Barton Palmer and William Robert Bray -- Realism, censorship, and social promise of Dead end / by Amanda Klein -- Screening Our town (1940): or the problem of looking at everything hard enough / by David Eldridge -- Screening Death of a salesman: Arthur Miller's cinema and its discontents / by R. Barton Palmer -- Elia Kazan's A streetcar named desire / by William Robert Bray -- Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism / by John S. Bak -- The big knife: Hollywood's fable about moral values and success / by Christopher Ames -- Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun / by Martin Halliwell -- The children's hour / by Neil Sinyard -- Screening Long day's journey into night / by Mary F. Brewer -- Who's afraid of Virginia Woolf / by David Lavery and Nancy Mcguire Roche -- Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love / by Annette Saddik -- Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) / by Laurence Raw -- David Mamet brings film to Oleanna / by Brenda Murphy -- To what end wit? / by John D. Sykes, jr -- Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) / by Tison Pugh.
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|a Print version record.
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|a From its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a American drama
|v Film adaptations.
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650 |
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0 |
|a Film adaptations
|x History and criticism.
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650 |
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|a Motion pictures and literature
|z United States.
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650 |
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6 |
|a Théâtre américain
|v Adaptations cinématographiques.
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650 |
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6 |
|a Adaptations cinématographiques
|x Histoire et critique.
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650 |
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6 |
|a Cinéma et littérature
|z États-Unis.
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650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a American drama
|2 fast
|
650 |
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7 |
|a Film adaptations
|2 fast
|
650 |
|
7 |
|a Motion pictures and literature
|2 fast
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651 |
|
7 |
|a United States
|2 fast
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
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655 |
|
7 |
|a Film adaptations
|2 fast
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700 |
1 |
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|a Bray, William Robert,
|d 1951-
|e editor.
|
700 |
1 |
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|a Palmer, R. Barton,
|d 1946-
|e editor.
|
776 |
0 |
8 |
|i Print version:
|t Modern American drama in screen
|z 9781107000650
|w (DLC) 2013003980
|w (OCoLC)835101687
|
856 |
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