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Musical creativity in restoration England /
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts o...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Cambridge University Press,
2013.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ii 4500 | ||
|---|---|---|---|
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| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
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| 010 | |z 2013008968 | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Herissone, Rebecca, |e author. | |
| 245 | 1 | 0 | |a Musical creativity in restoration England / |c Rebecca Herissone. |
| 264 | 1 | |a New York : |b Cambridge University Press, |c 2013. | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (xxx, 429 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 504 | |a Includes bibliographical references (pages 392-411) and indexes. | ||
| 505 | 0 | |a pt. I. Creative contexts and principles -- pt. II. Creative strategies. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Music |z England |y 17th century |x History and criticism. | |
| 650 | 0 | |a Composition (Music) |x History |y 17th century. | |
| 650 | 6 | |a Musique |z Angleterre |y 17e siècle |x Histoire et critique. | |
| 650 | 6 | |a Composition (Musique) |x Histoire |y 17e siècle. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Composition (Music) |2 fast | |
| 650 | 7 | |a Music |2 fast | |
| 651 | 7 | |a England |2 fast | |
| 648 | 7 | |a 1600-1699 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Herissone, Rebecca. |t Musical creativity in restoration England. |d Cambridge ; New York : Cambridge University Press, 2013 |z 9781107014343 |w (DLC) 2013008968 |w (OCoLC)829645956 |
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