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049 |a UAMI 
100 1 |a Hoffman, Tyler. 
245 1 0 |a American poetry in performance :  |b from Walt Whitman to Hip Hop /  |c Tyler Hoffman. 
260 |a Ann Arbor :  |b University of Michigan Press,  |c 2013. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
588 0 |a Print version record. 
504 |a Includes bibliographical references and index. 
505 0 |a ""Acknowledgments""; ""Contents""; ""Introduction""; ""Chapter 1 -- Walt Whitman "Live": Performing the Public Sphere""; ""Chapter 2 -- The Ordeal of Vachel Lindsay, or The Cultural Politics of the Spoken Word""; ""Chapter 3 -- " The Black Man Speaks": Langston Hughes, the New Negro, and the Sounds of Citizenship""; ""Chapter 4 -- Beat Acoustics, Presence, and Resistance""; ""Chapter 5 -- "Rappin' and Readin' ": The Frequencies of the Black Arts""; ""Chapter 6 -- Slam Nation: Immediacy, Mediatization, and the Counterpublic Sphere""; ""Afterword""; ""Notes""; ""Index"" 
520 8 |a Annotation  |b American Performance Poetry is the first book to trace a comprehensive history of performance poetry in America from Whitman through the rap-meets-poetry scene and to show how the performance of poetry is bound up with the performance of identity and nationality in the modern period. This book will be a meaningful contribution both to the field of American poetry studies and to the fields of cultural and performance studies, as it focuses on poetry that refuses the status of fixed aesthetic object and, in its variability, performs versions of race, class, gender, and sexuality both on and off the page. Relating the performance of poetry to shifting political and cultural ideologies in the United States, Hoffman argues that the vocal aspect of public poetry possesses (or has been imagined to possess) the ability to help construct both national and subaltern communities. In doing so, American Performance Poetry explores public poets confrontations with emergent sound recording and communications technologies as those confrontations shape their mythologies of the spoken word and their corresponding notions about America and Americanness. 
546 |a English. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Performance poetry  |z United States  |x History and criticism. 
650 0 |a Oral interpretation of poetry. 
650 0 |a American poetry  |x History and criticism. 
650 0 |a American poetry  |x African American authors  |x History and criticism. 
650 0 |a Poetry slams  |z United States  |x History. 
650 6 |a Poésie-performance  |z États-Unis  |x Histoire et critique. 
650 6 |a Poésie  |x Lecture publique. 
650 6 |a Poésie américaine  |x Histoire et critique. 
650 6 |a Poésie américaine  |x Auteurs noirs américains  |x Histoire et critique. 
650 6 |a Slam  |z États-Unis  |x Histoire. 
650 7 |a LITERARY CRITICISM  |x Poetry.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x American  |x African American.  |2 bisacsh 
650 7 |a American poetry  |2 fast 
650 7 |a American poetry  |x African American authors  |2 fast 
650 7 |a Oral interpretation of poetry  |2 fast 
650 7 |a Performance poetry  |2 fast 
650 7 |a Poetry slams  |2 fast 
651 7 |a United States  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Hoffman, Tyler.  |t American Poetry in Performance.  |d University of Michigan Press 2013  |z 1299763847 
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