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Spenser's international style /
David Scott Wilson-Okamura reframes long standing questions about Edmund Spenser's style in the wider context of long-term, European trends.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, UK ; New York :
Cambridge University Press,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Wilson-Okamura, David Scott, |d 1970- | |
| 245 | 1 | 0 | |a Spenser's international style / |c David Scott Wilson-Okamura. |
| 260 | |a Cambridge, UK ; |a New York : |b Cambridge University Press, |c 2013. | ||
| 300 | |a 1 online resource (xiv, 235 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Illustrations; Acknowledgements; Texts and abbreviations; Introduction: the persistence of form; Method; Tasso; Period style; Theory and practice; Reluctances; Chapter one Why stanzas for epic?; Technicalities and technique; Spenser as the modern Virgil; Gothic v. classical; Stanzaic prosody: England v. Italy; Why not blank verse?; Why poets wanted to write in quantitative meter; Artificial stanzas; Stanzas and substitution; Seeds and surfaces; Chapter two Historical assessments; Two arguments for style; Epic style as a critical problem. | |
| 505 | 8 | |a Archaism: Gothic survival or classical revival?"The song / That, like a snake, drags its slow length along"; Chapter three Flowery style; Defining lyric; The three styles; Definitions of the middle style; How to identify the middle style; Middle-style figures of speech; Where the flowery style should not be used; Lyrical line endings; The problem of a mixed style; Lascivious figures of speech; Practical eloquence; Leisurely and non-leisurely episodes; Lyrical figures of speech in The Faerie Queene; Chapter four Triumph of the flowery style; Ariostos lyricism; Tasso's defense of Ariosto. | |
| 505 | 8 | |a Love as the subject of modern poetryLove and the style of modern poetry; Sweetness and romance; Poetry as praise; Cicero and rhyme; Imitating Petrarch; Sermon style; Copia, or faking the grand style; Ornament equals gravity; Figures of speech as poetic diction; Vernacular anxiety; Chapter five Ornamentalism; Substitution; Tragic intensity; Ornamentalism; The garment of style; Animals and angels; The naked word; Ars gratia humanitatis; Ornamental and dramatic codes of representation; Proper or probable?; In defense of obscurity; Feminine rhyme; Alone with his books; La rime riche. | |
| 505 | 8 | |a The meaning of feminine rhymeThe garden and the city; Chapter Six Private virtues, comic style; Tasso's roughness; The epic without war; War and Spenser's literary career; Second tenor; Did Spenser give up?; Public and private; Contemplation, then action; Comedy and tragedy; Spenser's comedy of private life; Epilogue; Index of names, subjects, and sources. | |
| 520 | |a David Scott Wilson-Okamura reframes long standing questions about Edmund Spenser's style in the wider context of long-term, European trends. | ||
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| 600 | 1 | 0 | |a Spenser, Edmund, |d 1552?-1599 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Spenser, Edmund, |d 1552?-1599 |2 fast |
| 600 | 1 | 7 | |a Spenser, Edmund |d 1552-1599 |2 gnd |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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