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The sublime in modern philosophy : aesthetics, ethics and nature /
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Brady, Emily. | |
| 245 | 1 | 4 | |a The sublime in modern philosophy : |b aesthetics, ethics and nature / |c Emily Brady, University of Edinburgh. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2014. | ||
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| 504 | |a Includes bibliographical references and index. | ||
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| 505 | 0 | |a Introduction -- Part I. The historical sublime. The eighteenth-century sublime ; The Kantian sublime I : Pre-critical and critical work ; The Kantian sublime II : Nature and morality ; The Romantic sublime -- Part II. The contemporary sublime. Art and the Sublime ; Tragedy and the sublime ; The sublime, terrible beauty, and ugliness ; The environmental sublime. | |
| 520 | |a In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world. | ||
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| 776 | 0 | 8 | |i Print version: |a Brady, Emily. |t Sublime in modern philosophy. |d Cambridge : Cambridge University Press, 2014 |z 9780521194143 |w (DLC) 2012043750 |w (OCoLC)813392297 |
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