Music in Germany since 1968 /

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Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Williams, Alastair
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge : Cambridge University Press, 2013.
Colección:Music since 1900.
Temas:
1900-1999
Music > Germany > 20th century > History and criticism.
MUSIC > Genres & Styles > International.
MUSIC > History & Criticism.
Music
Musik
Germany
Deutschland
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover; Contents; Illustrations; Music examples; Acknowledgements; Introduction; 1 Contexts and institutions; Politics and ideas; Darmstadt; Institutions; Documentation; Dissemination and centres; Ensembles; 2 Expanded horizons: established composers after 1968; Ligeti and Nono; Kagel and Schnebel; Zimmermann, Killmayer and Bredemeyer; Henze; Stockhausen; 3 The refusal of habit: Helmut Lachenmann; 'Klangtypen' and 'musique concrète instrumentale'; Notturno, temA and Pression; Air and Kontrakadenz; Engaging tradition; Accanto and Salut für Caudwell.
  • Tanzsuite mit Deutschlandlied and Ein KinderspielMouvement, Ausklang, Staub and Second Quartet; Music with images; Perspectives; 4 Music and signs: Wolfgang Rihm; Tradition and inclusivity; Orchestral music; String chamber music; Piano music; Lieder; Fremde Szenen; Events, voices and layers; The Chiffre cycle and Klangbeschreibung; Frau/Stimme, Gesungene Zeit and Eine Stimme 1-3; Fleuve; Forms; Stage works
  • and instrumental theatre; Jakob Lenz; Tutuguri; Die Hamletmaschine; Die Eroberung von Mexico; Séraphin; Discourses; 5 Contemporaries of Lachenmann and Rihm: the younger generation.
  • Refusal of habitHuber; Spahlinger; Ferneyhough; Historical reflection; Neo-Romanticism; Zimmermann; Goldmann; Heightened perception: the younger generation; Mahnkopf; Mundry; Saunders; Pintscher; Epilogue; Notes; Introduction; 1 Contexts and institutions; 2 Expanded horizons: established composers after 1968; 3 The refusal of habit: Helmut Lachenmann; 4 Music and signs: Wolfgang Rihm; 5 Contemporaries of Lachenmann and Rihm: the younger generation; Epilogue; Bibliography; Index.

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