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|a Weissman, David,
|d 1936-
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|a Sensibility and the sublime /
|c David Weissman.
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|a Frankfurt :
|b Ontos Verlag,
|c Ã2012.
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|a 1 online resource (120 pages) :
|b illustrations
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|a text
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|a Includes bibliographical references and index.
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|a Acknowledgments; Introduction; Chapter One. Sensibility; Chapter Two. Applications; Chapter Three. Irresolution; Chapter Four. Interiority and Selfhood; Index
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|a Philosophic attention shifted after Hegel from Kant's emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new technologies: photography displaced figurative painting; hearing recorded music reduced the interest in learning to play it. The firm interiority that Hegel assumed was undermined by the speed, mechanization, and distractions of modern life. We inherit two problems: restore quality and conviction in the arts.
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|a Sublime, The.
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|a Senses and sensation
|x Philosophy.
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|a Sublime.
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|a Sens et sensations
|x Philosophie.
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|a PHILOSOPHY
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|i Print version:
|a Weissman, David, 1936-
|t Sensibility and the sublime.
|d Frankfurt : Ontos Verlag, 2012
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