Cargando…

Sensibility and the sublime /

Philosophic attention shifted after Hegel from Kant's emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new tech...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Weissman, David, 1936-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Frankfurt : Ontos Verlag, Ã2012.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Ia 4500
001 EBSCO_ocn854857134
003 OCoLC
005 20231017213018.0
006 m o d
007 cr cnu---unuuu
008 130801s2012 gw a ob 001 0 eng d
040 |a N$T  |b eng  |e pn  |c N$T  |d E7B  |d YDXCP  |d OCLCQ  |d AZK  |d COCUF  |d AGLDB  |d OCLCQ  |d MOR  |d CCO  |d PIFAG  |d OCLCQ  |d U3W  |d OCLCF  |d STF  |d WRM  |d VNS  |d VTS  |d NRAMU  |d VT2  |d OCLCQ  |d M8D  |d HS0  |d BOL  |d OCLCO  |d OCLCQ  |d OCLCO 
019 |a 961605319  |a 962579725  |a 988440667  |a 992038242  |a 1037764003  |a 1038687966  |a 1045498891  |a 1055345479  |a 1081224314  |a 1114375137  |a 1152997115 
020 |a 9783110320381  |q (electronic bk.) 
020 |a 311032038X  |q (electronic bk.) 
020 |a 3110320096 
020 |a 9783110320091 
020 |z 9783868381610 
020 |z 3868381619 
020 |z 9783110320091 
029 1 |a AU@  |b 000053308921 
029 1 |a CHNEW  |b 000614657 
029 1 |a DEBBG  |b BV043080493 
029 1 |a DEBSZ  |b 421247789 
029 1 |a NZ1  |b 15589402 
035 |a (OCoLC)854857134  |z (OCoLC)961605319  |z (OCoLC)962579725  |z (OCoLC)988440667  |z (OCoLC)992038242  |z (OCoLC)1037764003  |z (OCoLC)1038687966  |z (OCoLC)1045498891  |z (OCoLC)1055345479  |z (OCoLC)1081224314  |z (OCoLC)1114375137  |z (OCoLC)1152997115 
050 4 |a BH301.S7  |b W447 2012eb 
072 7 |a PHI  |x 001000  |2 bisacsh 
082 0 4 |a 111.85  |2 23 
049 |a UAMI 
100 1 |a Weissman, David,  |d 1936- 
245 1 0 |a Sensibility and the sublime /  |c David Weissman. 
260 |a Frankfurt :  |b Ontos Verlag,  |c Ã2012. 
300 |a 1 online resource (120 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
340 |g polychrome.  |2 rdacc  |0 http://rdaregistry.info/termList/RDAColourContent/1003 
347 |a text file  |2 rdaft  |0 http://rdaregistry.info/termList/fileType/1002 
504 |a Includes bibliographical references and index. 
505 0 |a Acknowledgments; Introduction; Chapter One. Sensibility; Chapter Two. Applications; Chapter Three. Irresolution; Chapter Four. Interiority and Selfhood; Index 
520 |a Philosophic attention shifted after Hegel from Kant's emphasis on sensibility to criticism and analyses of the fine arts. The arts themselves seemed as ample as nature; a disciplined science could devote as much energy to one as the other. But then the arts began to splinter because of new technologies: photography displaced figurative painting; hearing recorded music reduced the interest in learning to play it. The firm interiority that Hegel assumed was undermined by the speed, mechanization, and distractions of modern life. We inherit two problems: restore quality and conviction in the arts. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Sublime, The. 
650 0 |a Senses and sensation  |x Philosophy. 
650 6 |a Sublime. 
650 6 |a Sens et sensations  |x Philosophie. 
650 7 |a PHILOSOPHY  |x Aesthetics.  |2 bisacsh 
650 7 |a Sublime, The  |2 fast 
776 0 8 |i Print version:  |a Weissman, David, 1936-  |t Sensibility and the sublime.  |d Frankfurt : Ontos Verlag, 2012  |z 9783868381610  |w (OCoLC)822017032 
856 4 0 |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=603470  |z Texto completo 
938 |a ebrary  |b EBRY  |n ebr10729083 
938 |a EBSCOhost  |b EBSC  |n 603470 
938 |a YBP Library Services  |b YANK  |n 10818576 
994 |a 92  |b IZTAP