|
|
|
|
LEADER |
00000cam a2200000 a 4500 |
001 |
EBSCO_ocn854583693 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
130729s2013 nyu ob 001 0 eng d |
040 |
|
|
|a N$T
|b eng
|e pn
|c N$T
|d E7B
|d OCLCO
|d STF
|d DEBBG
|d YDXCP
|d OCLCF
|d EBLCP
|d OCLCQ
|d OCL
|d OCLCQ
|d STBDS
|d OCLCQ
|d REC
|d WYU
|d YOU
|d OCLCQ
|d K6U
|d OCLCQ
|d OCLCO
|d SFB
|d OCLCO
|d OCLCQ
|d OCLCO
|
019 |
|
|
|a 922972341
|a 1058713081
|a 1066004851
|a 1096229817
|a 1298428314
|
020 |
|
|
|a 9780199981021
|q (electronic bk.)
|
020 |
|
|
|a 0199981027
|q (electronic bk.)
|
020 |
|
|
|z 9780199981014
|
020 |
|
|
|z 0199981019
|
029 |
1 |
|
|a AU@
|b 000052555198
|
029 |
1 |
|
|a DEBBG
|b BV043058212
|
029 |
1 |
|
|a DEBSZ
|b 446467219
|
029 |
1 |
|
|a NLGGC
|b 363613854
|
029 |
1 |
|
|a NZ1
|b 16238628
|
035 |
|
|
|a (OCoLC)854583693
|z (OCoLC)922972341
|z (OCoLC)1058713081
|z (OCoLC)1066004851
|z (OCoLC)1096229817
|z (OCoLC)1298428314
|
043 |
|
|
|a e-ne---
|
050 |
|
4 |
|a ML295.5
|b .A35 2013eb
|
072 |
|
7 |
|a MUS
|x 024000
|2 bisacsh
|
082 |
0 |
4 |
|a 780.9492/35209046
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Adlington, Robert.
|
245 |
1 |
0 |
|a Composing dissent :
|b avant-garde music in 1960s Amsterdam /
|c Robert Adlington.
|
260 |
|
|
|a New York :
|b Oxford University Press,
|c 2013.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a Situatie : without orientation in new Babylon -- Vernieuwing : the Maderna campaign, cultural policy, and the new -- Anarchie : chaos, freedom, and instant composing -- Participatie : experimenting (on) audiences -- Politiek : on the impossibility of saying nothing in 1968 -- Zelfbeheer : composers, performers, and the renewal of musical practice -- Volksmuziek : Louis Andriessen's Volkslied and the Internationale.
|
588 |
0 |
|
|a Print version record.
|
520 |
8 |
|
|a The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians with a pronounced commitment to social and political engagement. This book presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change.
|
590 |
|
|
|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Music
|z Netherlands
|z Amsterdam
|y 1961-1970
|x History and criticism.
|
650 |
|
0 |
|a Avant-garde (Music)
|z Netherlands
|z Amsterdam
|x History
|y 20th century.
|
650 |
|
6 |
|a Musique expérimentale
|z Pays-Bas
|z Amsterdam
|x Histoire
|y 20e siècle.
|
650 |
|
7 |
|a MUSIC
|x Genres & Styles
|x International.
|2 bisacsh
|
650 |
|
7 |
|a Avant-garde (Music)
|2 fast
|
650 |
|
7 |
|a Music
|2 fast
|
651 |
|
7 |
|a Netherlands
|z Amsterdam
|2 fast
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
655 |
|
7 |
|a History
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Adlington, Robert.
|t Composing dissent.
|d New York : Oxford University Press, 2013
|z 9780199981014
|w (DLC) 2012046762
|w (OCoLC)819741777
|
856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=612430
|z Texto completo
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL3055479
|
938 |
|
|
|a ebrary
|b EBRY
|n ebr10737026
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 612430
|
938 |
|
|
|a Oxford University Press USA
|b OUPR
|n EDZ0000130477
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 10881976
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 10710875
|
994 |
|
|
|a 92
|b IZTAP
|