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The poetic imagination in Heidegger and Schelling /
The imagination is a decisive, if underappreciated, theme in German thought since Kant. In this rigorous historical and textual analysis, Christopher Yates challenges an oversight of traditional readings by presenting the first comparative study of F.W.J. Schelling and Martin Heidegger on this theme...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Bloomsbury Academic,
2013.
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| Colección: | Bloomsbury studies in continental philosophy.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Title Page; Copyright Page; Contents; Abbreviations; Introduction; Chapter 1 The Kantian Breakthrough; The elemental art of Kant's Critique of Pure Reason; The A Deduction: Imagination in the work of synthesis; The B Deduction and its aftermath: Imagination in the drift of combination; Repurposing imagination in the Critique of Judgment; The free hand and the fundamental retrieval; Chapter 2 Production and Artistry in Schelling's Philosophy of Identity; The ideal receptivity for the real; From the standpoint of consciousness, for the standpoint of identity; Reimagining harmonious production.
- The artistry of intuition and the striving of imaginationThe art of creation and the absolute standpoint; Chapter 3 Imagination and Ground in Schelling's Freiheitsschrift; Essence and connected matters; The mechanizing imagination and the being of the copula; The divine imagination and the being of two mysteries; The measuring imagination and the word of man; Chapter 4 Heidegger on Schelling's Impulse and Poetizing Impasse; Creative transformations; The poetry of thought; The mood of the moment; Imagination at a poetizing impasse?; Asystic form and the truth of the mirror.