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World art : an introduction to the art in artefacts /
What do we mean by 'art'? As a category of objects, the concept belongs to a Western cultural tradition, originally European and now increasingly global, but how useful is it for understanding other traditions? To understand art as a universal human value, we need to look at how the concep...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
Berg,
2013.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ia 4500 | ||
|---|---|---|---|
| 001 | EBSCO_ocn853455865 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
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| 008 | 130722s2013 enka ob 001 0 eng d | ||
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| 019 | |a 855504286 |a 857081273 | ||
| 020 | |a 9780857858122 |q (electronic bk.) | ||
| 020 | |a 0857858122 |q (electronic bk.) | ||
| 020 | |z 9781847889430 | ||
| 020 | |z 1847889433 | ||
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| 082 | 0 | 4 | |a 701/.18 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Burt, Ben, |e author. | |
| 245 | 1 | 0 | |a World art : |b an introduction to the art in artefacts / |c Ben Burt. |
| 260 | |a London ; |a New York : |b Berg, |c 2013. | ||
| 300 | |a 1 online resource (xi, 253 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a WORLD ART; CONTENTS; List of Illustrations; Acknowledgments; Introduction; PART I: WESTERN PERSPECTIVES; 1 The Origins of Art; New Worlds and Histories; Industrial and Intellectual Revolutions; British Museums; Politics and Commerce, Art and Craft; Further Reading; 2 Classical Art; The Obsession with Ancient Greece; Biblical Antiquity; Classical Art History; Classicism and Eurocentrism; Further Reading; 3 Oriental Art; Orientalism; Islamic Art: An Orientalist Stereotype?; Indian Art: Decorative and Denigrated; Chinese Art: Unrecognized Connoisseurship; Further Reading; 4 Primitive Art. | |
| 505 | 8 | |a Savages and AnthropologistsEvolution, Diffusion, and Speculation; Identifying Cultures, Areas, and Styles; The Survival of Evolution and Diffusion; Further Reading; 5 Prehistoric Art; Discovering Antiquity; The Dawn of Art; Prehistoric Myths; The Politics of Prehistory; Further Reading; PART II: CROSS-CULTURAL PERSPECTIVES; 6 Form; Connoisseurs of Form; Form in Northwest Coast Art; Structure in Northwest Coast Art; Structure in Northwest Coast Culture; Further Reading; 7 Meaning; Reading Symbols; Explicit Meanings; Limits to Iconographic Analysis; Hidden Meanings; Further Reading. | |
| 505 | 8 | |a 8 PerformanceShowing Off; Parades; The Art of Impersonation; Performance by Proxy; Further Reading; 9 Archaeology; Archaeological Methodology in Peru; Moche Iconography; Moche Culture; Nasca Iconography; Further Reading; 10 The Work of Art; Art in Anthropology; Art in Cosmology; Art at Work; Art in Cosmic Agency; Further Reading; PART III: ARTISTIC GLOBALIZATION; 11 The Art World; Art History as Ideology; Reappraising Art History; Art as Collectibles; The Art Brokers; Further Reading; 12 The Exotic Primitive; Primitivism and Primitive Art; Adopting Primitive Art; The Primitive Art Market. | |
| 505 | 8 | |a Exhibiting Exotic ArtefactsFurther Reading; 13 Marketing Exotic Art; Exporting Local Artefacts; Reconsidering Authenticity; Market Contributions to Local Culture; The Homogenization of Exotic Art; Further Reading; 14 Artistic Colonialism; Images of Appropriation; Finding a Place in the Art World; Art Goes Global; Global but Exclusive; Further Reading; 15 The Global and the Local; The Commodification of Art; Universal and National Museums; Alternative Museums; New Art Communities; Further Reading; Afterword; References; Index. | |
| 520 | |a What do we mean by 'art'? As a category of objects, the concept belongs to a Western cultural tradition, originally European and now increasingly global, but how useful is it for understanding other traditions? To understand art as a universal human value, we need to look at how the concept was constructed in order to reconstruct it through an understanding of the wider world. Western art values have a pervasive influence upon non-Western cultures and upon Western attitudes to them. This innovative yet accessible new text explores the ways theories of art developed as Western knowledge of the. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Art and anthropology. | |
| 650 | 0 | |a Art and society. | |
| 650 | 6 | |a Art et anthropologie. | |
| 650 | 6 | |a Art et société. | |
| 650 | 7 | |a ART |x Criticism & Theory. |2 bisacsh | |
| 650 | 7 | |a Art and anthropology |2 fast | |
| 650 | 7 | |a Art and society |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Burt, Ben. |t World art. |d London ; New York : Berg, 2013 |z 9781847889430 |w (DLC) 2012033114 |w (OCoLC)808245005 |
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