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Martin Crimp's theatre : collapse as resistance to late capitalist society /
This book is a timely intervention in theatre studies which reads Martin Crimp's plays in the context of contemporary, late capitalist societies of control or of 'spectacle', and explores how female collapse in particular works as a form of denunciation of the violence of globalized,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Berlin :
De Gruyter,
©2013.
|
| Colección: | CDE studies ;
Bd. 24. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- Acknowledgements
- Contents
- I. Preliminaries I: Introduction and Rationale
- 1. Martin Crimp's Context
- 2. The Semiotic Potential of Collapse on Stage
- 3. Redefining Ethics: A Collapsing Body
- 1. Introduction: Collapse, 'In-Yer-Face' Theatre and the 'Society of Spectacle'
- 2. The 'Spectacle' Filled our Pockets: Duplicity, Sexism and the Market
- 3. The Point of Rupture: Collapse and Barbarism
- 4. Conclusion: Towards Subjectivity and Ethics
- IV. Postdramatic Plays: Attempts on her Life (1997) and Face to the Wall (2002)
- 1. Interpretation, Self-Regulation and Postdramatism
- 2. Short Circuits of Desire: Language and Power in Attempts on her Life
- 3. 'The Stage, a Skull': Male Collapse as Resistance in Face to the Wall
- 1. Stopping Time: Memory and Resistance in The Country (2000)
- 2. Oppression, Resistance and Terrorism in Cruel and Tender (2004)
- 1.1 Introduction: Mirroring Fragments, Play-Within-a-Play
- 1.2 Testimony as Resistance: Crimp's and Mitchell's Play-Within-a-Play
- 1.3 'Cold, Blank, Distant': Breakdown as Resistance
- VII. General Conclusions: Martin Crimp's Theatre: a Dramaturgy of Resistance
- Primary Sources
- Secondary Sources.