Dig : sound and music in hip culture /

'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ford, Phil, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, 2013.
Temas:
Popular music > History and criticism.
Music > Social aspects.
Musique populaire > Histoire et critique.
Musique > Aspect social.
MUSIC > Genres & Styles > Pop Vocal.
Popular music.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Dig (an introduction)
  • Koan (what is hip?)
  • What is hip?
  • The Suzuki rhythm boys
  • The devil's staircase
  • The black spot
  • Somewhere/nowhere
  • Precambrian
  • Game ideology
  • Smart goes crazy
  • Irony
  • Miles and Monk
  • Somewhere/nowhere
  • Sound become holy (the Beats)
  • Sound become holy
  • The sadness of it all
  • Digging what they dig
  • Astounding and prophetic
  • Stenciled off the real
  • Hip sensibility in an age of mass counterculture
  • Right on, Mr. Horowitz
  • The square
  • Asymmetrical consciousness
  • Elitism
  • Mass culture critique
  • The decline of midcentury modernism and the birth of postmodernism
  • Sound museum
  • Mailer's sound
  • "The sound is the thing, man"
  • Abstraction
  • Whiteness
  • Mailer's sound
  • Enantiodromia
  • "Let's say that we're new, every minute" (John Benson Brooks)
  • Off-minor
  • Music of the isms
  • Djology
  • Cipher
  • Magical hermeneutics
  • Technologies of experience
  • Practice.

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