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Dig : sound and music in hip culture /
'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
2013.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ford, Phil, |d 1969- |e author. | |
| 245 | 1 | 0 | |a Dig : |b sound and music in hip culture / |c Phil Ford. |
| 260 | |a New York : |b Oxford University Press, |c 2013. | ||
| 300 | |a 1 online resource (ix, 306 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture. | |
| 505 | 0 | |a Dig (an introduction) -- Koan (what is hip?) -- What is hip? -- The Suzuki rhythm boys -- The devil's staircase -- The black spot -- Somewhere/nowhere -- Precambrian -- Game ideology -- Smart goes crazy -- Irony -- Miles and Monk -- Somewhere/nowhere -- Sound become holy (the Beats) -- Sound become holy -- The sadness of it all -- Digging what they dig -- Astounding and prophetic -- Stenciled off the real -- Hip sensibility in an age of mass counterculture -- Right on, Mr. Horowitz -- The square -- Asymmetrical consciousness -- Elitism -- Mass culture critique -- The decline of midcentury modernism and the birth of postmodernism -- Sound museum -- Mailer's sound -- "The sound is the thing, man" -- Abstraction -- Whiteness -- Mailer's sound -- Enantiodromia -- "Let's say that we're new, every minute" (John Benson Brooks) -- Off-minor -- Music of the isms -- Djology -- Cipher -- Magical hermeneutics -- Technologies of experience -- Practice. | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Popular music |x History and criticism. | |
| 650 | 0 | |a Music |x Social aspects. | |
| 650 | 6 | |a Musique populaire |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Aspect social. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a Music |x Social aspects. |2 fast |0 (OCoLC)fst01030444 | |
| 650 | 7 | |a Popular music. |2 fast |0 (OCoLC)fst01071422 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Ford, Phil, 1969- |t Dig. |d New York : Oxford University Press, [2013] |z 9780199939916 |w (DLC) 2013005947 |w (OCoLC)819136188 |
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