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|a Bryzgel, Amy,
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|a Performing the East :
|b Performance Art in Russia, Latvia and Poland Since 1980 /
|c Amy Bryzgel.
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|a London :
|b I.B. Tauris,
|c 2013.
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|a 1 online resource (xiii, 303 pages, 8 unnumbered pages of plates) :
|b illustrations (black and white, and colour)
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|a International library of modern and contemporary art ;
|v 9
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|a Includes bibliographical references and index.
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|a Print version record.
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|a List of figures; list of plates; acknowledgments; a note on translation; introduction: performance art, east and west; 1. afrika and the russian dog: performing post-soviet identity in russia; 2. the bronze man and the homeless man: performing appearance in latvia; 3. filming young girls and older men: performing gender in poland; conclusion: performing the east; notes; index.
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|a Performance art in Western Europe and North America developed in part as a response to the commercialisation of the art object, as artists endeavoured to create works of art that could not be bought or sold. But what are the roots of performance art in Eastern Europe and Russia, where there was no real art market to speak of? While many artworks created in the 'East' may resemble Western performance art practices, their origins, as well as their meaning and significance, is decidedly different. By placing specific performances from Russia, Latvia and Poland from the late- and post-communist pe.
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|a Performance art
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|i Print version:
|a Bryzgel, Amy.
|t Performing the East : Performance Art in Russia, Latvia and Poland since 1980.
|d London : I.B. Tauris, ©2013
|z 9781848859487
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|a International library of modern and contemporary art ;
|v 9.
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