Tabla de Contenidos:
  • Introduction: beyond Shakespeare: the contemporary Jacobean film
  • Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II
  • The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel
  • Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers tragedy
  • Early modern performance and digital media: remediation and the evolving archival canon
  • Bend it like Nagra: mainstreaming the changeling in Sarah Harding's Compulsion
  • Conclusion: early modern dramatists on twenty-first century screens.