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The divine comedy of Dante Alighieri. Vol. 2, Purgatorio /

The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dante Alighieri, 1265-1321
Otros Autores: Durling, Robert M., Martinez, Ronald L.
Formato: Electrónico eBook
Idioma:Inglés
Italiano
Publicado: Oxford : Oxford University Press, 2003.
Temas:
Acceso en línea:Texto completo

MARC

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100 0 |a Dante Alighieri,  |d 1265-1321. 
240 1 0 |a Purgatorio.  |l English & Italian 
245 1 4 |a The divine comedy of Dante Alighieri.  |n Vol. 2,  |p Purgatorio /  |c edited and translated by Robert M. Durling ; introduction and notes by Ronald L. Martinez and Robert M. Durling ; illustrations by Robert Turner. 
260 |a Oxford :  |b Oxford University Press,  |c 2003. 
300 |a 1 online resource (xvi, 704 pages) :  |b illustrations, maps 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
546 |a Parallel Italian text and English translation. 
505 0 |a Abbreviations; Introduction; PURGATORIO; CANTO 1; Notes to Canto 1; CANTO 2; Notes to Canto 2; CANTO 3; Notes to Canto 3; CANTO 4; Notes to Canto 4; CANTO 5; Notes to Canto 5; CANTO 6; Notes to Canto 6; CANTO 7; Notes to Canto 7; CANTO 8; Notes to Canto 8; CANTO 9; Notes to Canto 9; CANTO 10; Notes to Canto 10; CANTO 11; Notes to Canto 11; CANTO 12; Notes to Canto 12; CANTO 13; Notes to Canto 13; CANTO 14; Notes to Canto 14; CANTO 15; Notes to Canto 15; CANTO 16; Notes to Canto 16; CANTO 17; Notes to Canto 17; CANTO 18; Notes to Canto 18; CANTO 19; Notes to Canto 19; CANTO 20. 
505 8 |a Notes to Canto 20CANTO 21; Notes to Canto 21; CANTO 22; Notes to Canto 22; CANTO 23; Notes to Canto 23; CANTO 24; Notes to Canto 24; CANTO 25; Notes to Canto 25; CANTO 26; Notes to Canto 26; CANTO 27; Notes to Canto 27; CANTO 28; Notes to Canto 28; CANTO 29; Notes to Canto 29; CANTO 30; Notes to Canto 30; CANTO 31; Notes to Canto 31; CANTO 32; Notes to Canto 32; CANTO 33; Notes to Canto 33; VERGIL, ECLOGUE IV; GUIDO CAVALCANTI'S PASTORELLA -- ADDITIONAL NOTES; 1. Cato of Utica (Canto 1); 2. The Meeting with Casella (Canto 2); 3. Belacqua and the Horizons of Purgatory. 
505 8 |a 4. Vergil's Palinurus in Purgatorio and the Rudderless Ship of State (Canto 6)5. The Canonical Hours; Compline (Canto 8); 6. The Terrace of Pride: i. Structure and Rationale (Cantos 10-12); 7. The Terrace of Pride: ii. The Theme of Art (Cantos 10-12); 8. San Miniato al Monte and Dante's Pride of Workmanship (Canto 12); 9. Number, Light, Motion, and Degree at the Center of the Comedy; 10. Dante and Forese (Cantos 23-24); 11. Embryology and Heredity (Canto 25); 12. The Virtues of the Virgin Mary (After Canto 27); 13. Dante and Ovid's Pyramus (Canto 27). 
505 8 |a 14. Virgil and the Fourth Eclogue (Canto 30)15. Rolling Out the Apocalypse (Cantos 29-33); Textual Variants; Bibliography; Index of Italian, Latin, and Other Foreign Words Discussed in the Notes; A; B; C; D; E; F; G; H; I; K; L; M; N; O; P; Q; R; S; T; U; V; Z; Index of Passages Cited in the Notes; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; Q; R; S; T; U; V; Y; Index of Proper Names in the Notes; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; X; Y; Z; Index of Proper Names in the Text and Translation; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; X; Z. 
520 |a The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem. 
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700 1 |a Durling, Robert M. 
700 1 |a Martinez, Ronald L. 
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