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Composing for the red screen : Prokofiev and Soviet film /
Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the f...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
©2013.
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| Colección: | Oxford music/media series.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- New media, new means : Lieutenant Kizhe. Cinema and new simplicity ; Outlines ; Music for an absent hero ; Celluloid sound ; Skazka
- The queen of spades, the 1937 Pushkin Jubilee, and repatriation. The new simplicity and Pushkin's "True spirit" ; A silent with a soundtrack ; New music for an old tale ; Committee intervention
- The year 1938 : halcyon days in Hollywood and an unanticipated collaboration. Hollywood, part two ; Popov, Eisenstein, and Prokofiev ; Forging collaborative methods
- Alexander Nevsky and the Stalinist Museum. Epic frame, epic sound ; The "assumed vernacular" ; Prokofiev's Russians ; Stalin Prize
- The wartime films. The path to Alma-ata ; Wartime collaboration ; Authenticity versus "Patriotic resonance" ; Cosmopolitan versus Russian ; Ukrainian partisans ; Realities
- Ivan the Terrible and the Russian national tradition. Outlines ; Ivan in Russian music ; Caricatures and villainy ; Prokofiev's Ivan, Eisenstein's Gesamtkunstwerk ; Eisenstein's multivalency ; Stalin Prize revisited
- Epilogue
- Appendix: Prokofiev, "His respect for music was so great."