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Composing for the red screen : Prokofiev and Soviet film /
Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the f...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press,
©2013.
|
| Colección: | Oxford music/media series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bartig, Kevin. | |
| 245 | 1 | 0 | |a Composing for the red screen : |b Prokofiev and Soviet film / |c Kevin Bartig. |
| 260 | |a New York : |b Oxford University Press, |c ©2013. | ||
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| 490 | 1 | |a The Oxford music/media series | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. | |
| 505 | 0 | |a Introduction -- New media, new means : Lieutenant Kizhe. Cinema and new simplicity ; Outlines ; Music for an absent hero ; Celluloid sound ; Skazka -- The queen of spades, the 1937 Pushkin Jubilee, and repatriation. The new simplicity and Pushkin's "True spirit" ; A silent with a soundtrack ; New music for an old tale ; Committee intervention -- The year 1938 : halcyon days in Hollywood and an unanticipated collaboration. Hollywood, part two ; Popov, Eisenstein, and Prokofiev ; Forging collaborative methods -- Alexander Nevsky and the Stalinist Museum. Epic frame, epic sound ; The "assumed vernacular" ; Prokofiev's Russians ; Stalin Prize -- The wartime films. The path to Alma-ata ; Wartime collaboration ; Authenticity versus "Patriotic resonance" ; Cosmopolitan versus Russian ; Ukrainian partisans ; Realities -- Ivan the Terrible and the Russian national tradition. Outlines ; Ivan in Russian music ; Caricatures and villainy ; Prokofiev's Ivan, Eisenstein's Gesamtkunstwerk ; Eisenstein's multivalency ; Stalin Prize revisited -- Epilogue -- Appendix: Prokofiev, "His respect for music was so great." | |
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| 600 | 1 | 0 | |a Prokofiev, Sergey, |d 1891-1953. |t Motion picture music. |
| 630 | 0 | 7 | |a Motion picture music (Prokofiev, Sergey) |2 fast |
| 650 | 0 | |a Motion picture music |z Soviet Union |x History and criticism. | |
| 650 | 6 | |a Film, Musique de |z URSS |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Printed Music |x Musicals, Film & TV. |2 bisacsh | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 651 | 7 | |a Soviet Union |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
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