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Early modern Beckett ; Beckett between /
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Amsterdam ; New York :
Rodopi,
2012.
|
| Colección: | Samuel Beckett today/aujourd'hui ;
24. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title Page; Copyright Page; Table of Contents; EARLY MODERN BECKETT / BECKETT ET LE DÉBUT DE L'ÈRE MODERNE; INTRODUCTION / AVANT-PROPOS; I. IN DIALOGUE WITH DRAMATISTS AND WRITERS / EN DIALOGUE AVEC DES AUTEURS DRAMATIQUES ET DES ÉCRIVAINS; LE MOLIÈRE DE BECKETT; BECKETT'S RACINIAN FICTIONS: "Racine and the Modern Novel" Revisited; FASCINATION DE LA TRAGÉDIE RACINIENNE: résonances dans Oh les beaux jours; "WORST IN NEED OF WORSE": King Lear, Worstward Ho and the Trajectory of Worsening; ALLEGORIES OF CLARITY AND OBSCURITY: Bunyan's The Pilgrim's Progress and Beckett's Molloy
- EDMUND SPENSER, FAMINE MEMORY AND THE DISCONTENTS OF HUMANISM IN ENDGAMEA RHETORIC OF DISCONTINUITY: On Stylistic Parallels between Pascal's Pensées and Samuel Beckett's L'Innommable; II. IN DIALOGUE WITH PHILOSOPHERS AND ARTISTS / EN DIALOGUE AVEC DES PHILOSOPHES ET DES ARTISTES; CARTESIAN MECHANICS IN BECKETT'S FIN DE PARTIE; EN COMPAGNIE D'UNE MÉTAPHYSIQUE PARODIQUE: Beckett lecteur de Descartes redux; BECKETT AND GEULINCX'S ETHICS: "...my Geulincx could only be a literary fantasia"; BECKETT'S FAINT CRIES: Leibniz's petites perceptions in First Love and Malone Dies
- PRÉSENCE DE LA SCULPTURE FUNÉRAIRE DES DÉBUTS DE L'ÉPOQUE MODERNE DANS L'ŒUVRE NARRATIVE DE SAMUEL BECKETT: du motif artistique religieux à sa laïcisation scripturaleLIGHT AND DARKNESS IN ELSHEIMER, CARAVAGGIO, REMBRANDT AND BECKETT; BECKETT BETWEEN / BECKETT ENTRE DEUX; INTRODUCTION; LIGHT, LANDSCAPE AND BECKETT; BECKETT BETWEEN THE WORDS: Punctuation and the Body in the English Prose; THE NON-LIEU OF HUNGER: Post-war Beckett and the Genealogies of Starvation; THE EXTENDED MIND AND MULTIPLE DRAFTS: Beckett's Models of the Mind and the Postcognitivist Paradigm
- BECKETT AND GEULINCX'S METAPHYSICS: "Without knowing why exactly""L'AU-DELÀ DU DEHORS-DEDANS": Paradox, Space and Movement in Beckett; "ILL-TOLD ILL-HEARD": Aurality and Reading in Comment c'est/How It Is; TENSIONS OF THE IN-BETWEEN: Rhythm, Tonelessness and Lyricism in Fin de partie/Endgame; BECKETT, BILINGUALISM AND THE BIBLE; THE PROXEMICS OF "NEITHER"; CONTRIBUTORS / AUTEURS