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121004s2012 ne a ob 000 0 eng d |
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|a 016224066
|2 Uk
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|a 9781283868648
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|z (OCoLC)822018918
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|a eng
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|a PR6003.E282
|b Z4586 no.24
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|2 lcco
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|a 810/820
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|a UAMI
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|a Early modern Beckett ; Beckett between /
|c edited by Angela Moorjani [and others] = Beckett et le début de l'ere moderne ; Beckett entre deux / édité par Angela Moorjani.
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|a Beckett et le début de l'ere moderne
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|a Beckett between
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|a Beckett entre deux
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|a Amsterdam ;
|a New York :
|b Rodopi,
|c 2012.
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|a 1 online resource (383 pages) :
|b illustrations (some color).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Samuel Beckett today/aujourd'hui ;
|v 24
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|a Includes bibliographical references.
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|a Contributions in English and French.
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|a Print version record.
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|a Cover; Title Page; Copyright Page; Table of Contents; EARLY MODERN BECKETT / BECKETT ET LE DÉBUT DE L'ÈRE MODERNE; INTRODUCTION / AVANT-PROPOS; I. IN DIALOGUE WITH DRAMATISTS AND WRITERS / EN DIALOGUE AVEC DES AUTEURS DRAMATIQUES ET DES ÉCRIVAINS; LE MOLIÈRE DE BECKETT; BECKETT'S RACINIAN FICTIONS: "Racine and the Modern Novel" Revisited; FASCINATION DE LA TRAGÉDIE RACINIENNE: résonances dans Oh les beaux jours; "WORST IN NEED OF WORSE": King Lear, Worstward Ho and the Trajectory of Worsening; ALLEGORIES OF CLARITY AND OBSCURITY: Bunyan's The Pilgrim's Progress and Beckett's Molloy
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|a EDMUND SPENSER, FAMINE MEMORY AND THE DISCONTENTS OF HUMANISM IN ENDGAMEA RHETORIC OF DISCONTINUITY: On Stylistic Parallels between Pascal's Pensées and Samuel Beckett's L'Innommable; II. IN DIALOGUE WITH PHILOSOPHERS AND ARTISTS / EN DIALOGUE AVEC DES PHILOSOPHES ET DES ARTISTES; CARTESIAN MECHANICS IN BECKETT'S FIN DE PARTIE; EN COMPAGNIE D'UNE MÉTAPHYSIQUE PARODIQUE: Beckett lecteur de Descartes redux; BECKETT AND GEULINCX'S ETHICS: "...my Geulincx could only be a literary fantasia"; BECKETT'S FAINT CRIES: Leibniz's petites perceptions in First Love and Malone Dies
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|a PRÉSENCE DE LA SCULPTURE FUNÉRAIRE DES DÉBUTS DE L'ÉPOQUE MODERNE DANS L'ŒUVRE NARRATIVE DE SAMUEL BECKETT: du motif artistique religieux à sa laïcisation scripturaleLIGHT AND DARKNESS IN ELSHEIMER, CARAVAGGIO, REMBRANDT AND BECKETT; BECKETT BETWEEN / BECKETT ENTRE DEUX; INTRODUCTION; LIGHT, LANDSCAPE AND BECKETT; BECKETT BETWEEN THE WORDS: Punctuation and the Body in the English Prose; THE NON-LIEU OF HUNGER: Post-war Beckett and the Genealogies of Starvation; THE EXTENDED MIND AND MULTIPLE DRAFTS: Beckett's Models of the Mind and the Postcognitivist Paradigm
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|a BECKETT AND GEULINCX'S METAPHYSICS: "Without knowing why exactly""L'AU-DELÀ DU DEHORS-DEDANS": Paradox, Space and Movement in Beckett; "ILL-TOLD ILL-HEARD": Aurality and Reading in Comment c'est/How It Is; TENSIONS OF THE IN-BETWEEN: Rhythm, Tonelessness and Lyricism in Fin de partie/Endgame; BECKETT, BILINGUALISM AND THE BIBLE; THE PROXEMICS OF "NEITHER"; CONTRIBUTORS / AUTEURS
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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600 |
1 |
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|a Beckett, Samuel,
|d 1906-1989
|x Criticism and interpretation.
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|a Beckett, Samuel,
|d 1906-1989
|2 fast
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650 |
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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700 |
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|a Moorjani, Angela B.,
|e editor.
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776 |
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|i Print version:
|w (OCoLC)812066758
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830 |
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|a Samuel Beckett today/aujourd'hui ;
|v 24.
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856 |
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|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=519790
|z Texto completo
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