Women's literary salons and political propaganda during the Napoleonic era : the cradle of patriotic nationalism /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Worley, Sharon
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lewiston, N.Y. : Edwin Mellen Press, ©2009.
Temas:
Napoleon > I, > Emperor of the French, > 1769-1821 > In literature.
Staël, > Madame de > (Anne-Louise-Germaine), > 1766-1817 > Criticism and interpretation.
Napoleon > I, > Emperor of the French, > 1769-1821
Staël, > Madame de > (Anne-Louise-Germaine), > 1766-1817
1700-1899
European literature > Women authors > History and criticism.
Women and literature > Europe > History > 18th century.
Women and literature > Europe > History > 19th century.
Salons > Europe > History.
Women > Europe > Intellectual life > 18th century.
Women > Europe > Intellectual life > 19th century.
Nationalism and literature > Europe > History > 18th century.
Nationalism and literature > Europe > History > 19th century.
Femmes et littérature > Europe > Histoire > 18e siècle.
Femmes et littérature > Europe > Histoire > 19e siècle.
Salons littéraires > Europe > Histoire.
Femmes > Europe > Vie intellectuelle > 18e siècle.
Femmes > Europe > Vie intellectuelle > 19e siècle.
Nationalisme et littérature > Europe > Histoire > 18e siècle.
Nationalisme et littérature > Europe > Histoire > 19e siècle.
LITERARY CRITICISM > Women Authors.
European literature > Women authors
Literature
Nationalism and literature
Salons
Women and literature
Women > Intellectual life
Europe
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The salon as a political arena and the development of Germaine de Stael's literary theory
  • Gendered reconstruction of feminist authority in the Prince's Parlor: historicism and fiction in Stephanie Genlis' royalist politics; Juliette Recamier and Prince Augustus of Prussia in Genlis's Athenais
  • Hieroglyph and symbol: aesthetics and morality in the harmony of the spheres; the estate as icon and allegory of the state: literature, art collections, public monuments, and national identity; classical mythology and Christian iconography as moral signifiers
  • The Apollonian muse in Germaine de Stael's Corinne
  • Italian cultural patrimony and memories of revolution: the anti-Napoleonic Florence salon of Louise Stolberg and Germaine de Stael's Corinne
  • Germaine de Stael and Napoleon: resistance in antithesis; Napoleon and the cult of empire
  • Drama as political propaganda: de Stael's De l'Allemagne and the heroic archetype; romanticism as a definition of German character
  • Ethical aesthetics and national identity in Dorothea Schlegel's Florentin.

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