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The Ring of Myths : the Israelis, Wagner and the Nazis /

In the fall of 1938, following Kristallnacht, the symphonic orchestra in Palestine cancelled the performance of Die Meistersinger von Nürnberg. No one could foresee that this would be the beginning of a never-ending boycott. This analysis of the controversy sheds light on the boycott that began in...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sheffi, Na'ama
Formato: Electrónico eBook
Idioma:Inglés
Hebrew
Publicado: Portland : Sussex Academic Press, 2013.
Temas:
Acceso en línea:Texto completo

MARC

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240 1 0 |a Ṭabaʻat ha-mitosim.  |l English 
245 1 4 |a The Ring of Myths :  |b the Israelis, Wagner and the Nazis /  |c Na'ama Sheffi ; translated from the Hebrew by Martha Grenzeback and Miriam Talisman. 
260 |a Portland :  |b Sussex Academic Press,  |c 2013. 
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505 0 |a Front Cover; Copyright; Contents; Preface; Glossary of Political Parties; 1 An End that Marked a Beginning; 2 Legends, Tribes, and Anti-Semitism: Ideas and Issues in Wagner's Work; 3 Racism, Music, and Power: The Nazification of Wagner; 4 Music, Politics, and Morality: The Beginning of the Boycott in Palestine; 5 Toward Germany, Away from Germans; 6 The 1960s: An End to Forgetting -- The Establishment of Symbols; 7 The 1970s: Political Furor, Musical Calm; 8 The 1980s: Xenophobia and Overt Political Intervention; 9 The 1990s: A Breakthrough and Stagnation; 10 The Early 2000s: A Mounting Wall. 
505 8 |a 11 Epilogue: Wagner and the Israelis -- A Multifaceted CommemorationBibliography; Index. 
520 |a In the fall of 1938, following Kristallnacht, the symphonic orchestra in Palestine cancelled the performance of Die Meistersinger von Nürnberg. No one could foresee that this would be the beginning of a never-ending boycott. This analysis of the controversy sheds light on the boycott that began in a society struggling for its existence and collective identity and continues in a well-established culture that maintains close ties with Germany and German culture. At present Wagner is known in Israel mainly as a symbol of the Holocaust; he is the only composer who aroused strong opposition when attempts were made to publicly play his music. The Ring of Myths includes interpretations from new perspectives on the place of the Holocaust in Israeli society and the processes of change until 2012.--Provided by the publisher. 
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600 1 0 |a Wagner, Richard,  |d 1813-1883  |x Public opinion. 
600 1 0 |a Wagner, Richard,  |d 1813-1883  |x Relations with Jews. 
600 1 7 |a Wagner, Richard,  |d 1813-1883  |2 fast 
650 0 |a Music  |x Political aspects  |z Israel. 
650 0 |a Public opinion  |z Israel. 
650 0 |a Music and state  |z Israel. 
650 0 |a Music and antisemitism. 
650 6 |a Musique  |x Aspect politique  |z Israël. 
650 6 |a Opinion publique  |z Israël. 
650 6 |a Musique  |x Politique gouvernementale  |z Israël. 
650 6 |a Musique et antisémitisme. 
650 7 |a HISTORY  |z Middle East  |x Israel & Palestine.  |2 bisacsh 
650 7 |a MUSIC  |x Genres & Styles  |x Opera.  |2 bisacsh 
650 7 |a MUSIC  |x Printed Music  |x Opera & Classical Scores.  |2 bisacsh 
650 7 |a Music and antisemitism  |2 fast 
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650 7 |a Public opinion  |2 fast 
650 7 |a Relations with Jews  |2 fast 
651 7 |a Israel  |2 fast 
776 0 8 |i Print version:  |a Sheffi, Na'ama.  |s Ṭabaʻat ha-mitosim. English.  |t Ring of myths.  |d Portland : Sussex Academic Press, 2013  |z 9781845195748  |w (DLC) 2012047408  |w (OCoLC)820632162 
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