The rival sirens : performance and identity on Handel's operatic stage /

Mostrar otras versiones (1)

The Rival Sirens examines the vital and intertwined roles of singers, audiences and local cultural context in creating eighteenth-century opera.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Aspden, Suzanne
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge ; New York : Cambridge University Press, 2013.
Colección:Cambridge studies in opera.
Temas:
Handel, George Frideric, > 1685-1759. > Operas.
Handel, George Frideric, > 1685-1759 > Performances.
Cuzzoni, Francesca, > 1696-1778 > Criticism and interpretation.
Bordoni, Faustina, > 1697-1781 > Criticism and interpretation.
Bordoni, Faustina, > 1697-1781
Cuzzoni, Francesca, > 1696-1778
Handel, George Frideric, > 1685-1759
Händel, Georg Friedrich > 1685-1759
Cuzzoni, Francesca > 1696-1778
Hasse-Bordoni, Faustina > 1697-1781
Operas (Handel, George Frideric)
1700-1799
Opera > 18th century.
MUSIC > Genres & Styles > Opera.
MUSIC > Printed Music > Opera & Classical Scores.
Opera.
Performances.
Oper
Aufführung
Primadonna
Rivalität
London
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The character of the actress
  • "Heroick virtue" in Rodelinda and Astianatte
  • Identification and illusion in Alessandro and Admeto
  • Balancing power in Riccardo primo
  • Senesino and the crisis of heroic masculinity
  • The ornamental voice.

Ejemplares similares