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New music at Darmstadt : Nono, Stockhausen, Cage, and Boulez /
New Music at Darmstadt explores the rise and fall of the so-called 'Darmstadt School', through a wealth of primary sources and analytical commentary. Martin Iddon's book examines the creation of the Darmstadt New Music Courses and the slow development and subsequent collapse of the id...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Cambridge University Press,
2013.
|
| Colección: | Music since 1900.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Iddon, Martin, |d 1975- | |
| 245 | 1 | 0 | |a New music at Darmstadt : |b Nono, Stockhausen, Cage, and Boulez / |c Martin Iddon. |
| 260 | |a New York : |b Cambridge University Press, |c 2013. | ||
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Music since 1900 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a pt. I. The accidental serialists -- pt. II. Chance encounters. | |
| 520 | |a New Music at Darmstadt explores the rise and fall of the so-called 'Darmstadt School', through a wealth of primary sources and analytical commentary. Martin Iddon's book examines the creation of the Darmstadt New Music Courses and the slow development and subsequent collapse of the idea of the Darmstadt School, showing how participants in the West German new music scene, including Herbert Eimert and a range of journalistic commentators, created an image of a coherent entity, despite the very diverse range of compositional practices on display at the courses. The book also explores the collapse of the seeming collegiality of the Darmstadt composers, which crystallised around the arrival there in 1958 of the most famous, and notorious, of all post-war composers, John Cage, an event Carl Dahlhaus opined 'swept across the European avant-garde like a natural disaster'. | ||
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| 600 | 1 | 0 | |a Nono, Luigi |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Stockhausen, Karlheinz, |d 1928-2007 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Cage, John |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Boulez, Pierre, |d 1925-2016 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Boulez, Pierre, |d 1925-2016 |2 fast |0 (OCoLC)fst00014455 |
| 600 | 1 | 7 | |a Cage, John. |2 fast |0 (OCoLC)fst00011054 |
| 600 | 1 | 7 | |a Nono, Luigi. |2 fast |0 (OCoLC)fst00046787 |
| 600 | 1 | 7 | |a Stockhausen, Karlheinz, |d 1928-2007. |2 fast |0 (OCoLC)fst01441696 |
| 650 | 0 | |a Music |z Germany |z Darmstadt |y 20th century |x History and criticism. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x International. |2 bisacsh | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 651 | 7 | |a Germany |z Darmstadt. |2 fast |0 (OCoLC)fst01206852 | |
| 648 | 7 | |a 1900 - 1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Iddon, Martin, 1975- |t New music at Darmstadt. |d New York : Cambridge University Press, 2013 |z 9781107033290 |w (DLC) 2012034204 |w (OCoLC)809365714 |
| 830 | 0 | |a Music since 1900. | |
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