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The art of sympathy in fiction : forms of ethical and emotional persuasion /

By taking an interdisciplinary approach - with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature - The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the poss...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sklar, Howard
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam ; Philadelphia : John Benjamins Publishing Company, 2013.
Colección:Linguistic approaches to literature.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The art of sympathy in fiction :  |b forms of ethical and emotional persuasion /  |c Howard Sklar. 
260 |a Amsterdam ;  |a Philadelphia :  |b John Benjamins Publishing Company,  |c 2013. 
300 |a 1 online resource (206 pages) 
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490 1 |a Linguistic approaches to literature 
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505 0 |a The Art of Sympathy in Fiction; Editorial page; Title page; LCC page; Dedication page; Table of contents; Acknowledgments; Introduction; Part I. Sympathy and narrative: Theoretical assumptions; 1. Believable fictions: On the nature of emotional responses to fictional characters; 1.1 Character and the question of believability; 1.2 Emotional responses to fictional characters; 2. Defining sympathy: Experiential and ethical dimensions; 2.1 Empathy: The chameleon emotion; 2.2 Towards a working definition of sympathy; 2.3 Sympathy: A "moral sentiment"? 
505 8 |a 2.4 Real-life and narrative sympathy: Experiential differences and ethical implications3. Forms of persuasion: Narrative approaches to the construction of reader sympathy; 3.1 Narrative empathy or sympathy? The role of aesthetic distance; 3.2 The poetics of narrative sympathy; Part II. Literary critical and empirical case studies; 4.1 The clothes make the man: Fantastic empathy and realistic sympathy in Roth's "Eli, the Fanatic"; 4. Varieties of narrative sympathy: Two preliminary case studies; 4.1.1 Challenging realistic conventions. 
505 8 |a 4.1.2 Naturalizing a strange reality: Stereotyping as a strategy for creating verisimilitude4.1.3 Defamiliarizing readers' perceptions; 4.1.4 Fantastic empathy and realistic sympathy; 4.1.5 Reevaluating "reality"; 4.2 Sympathy as self-discovery: The significance of caring for others in Ursula K. Le Guin's "Betray; 4.2.1 Lost in the marshlands: Cognitive estrangement and the cultivation of empathy; 4.2.2 Abberkam as Other: "Emotional estrangement" and reader judgment; 4.2.3 The rehabilitation of Abberkam: Revised judgment and the beginnings of sympathy. 
505 8 |a 4.2.4 The restoration of Self: Sympathetic caring comes full-circle5. Shades of sympathy: The limits and possibilities of identification in Bambara's "The Hammer Man"; 5.1 Structure and response: Some theoretical approaches to reader emotions; 5.2 Surprised by sympathy: The effects of delayed exposition; 5.3 Empirical approaches to "The Hammer Man"; 5.3.1 Defining sympathy: A brief review; 5.3.2 Methods and subjects; 5.3.3 Results; 5.3.4 General discussion of the test results; 6. Sympathetic "grotesque": The dynamics of feeling in Sherwood Anderson's "Hands." 
505 8 |a 6.1 The making of a sympathetic "grotesque"6.2 The Dynamics of feeling in "Hands"; 6.3 The Reader Emotions Test (RET) for "Hands"; 6.3.1 Methods and subjects; 6.3.2 Results for Test A; 6.3.3 Results for Test B; 6.3.4 General discussion; Part III. Sympathy in the classroom; 7. Narrative as experience: The pedagogical implications of sympathizing with fictional characters; 7.1 The End of innocence? Adolescent development and narrative fiction; 7.2 Making sense of sympathy: Pedagogical approaches to understanding narrative experiences; 7.3 Concluding remarks on student engagement. 
500 |a 8.1 Empiricism, interdisciplinarity and literary studies: Obstacles and opportunities. 
520 |a By taking an interdisciplinary approach - with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature - The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." Part I examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympath. 
504 |a Includes bibliographical references and index. 
546 |a English. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a American fiction  |x History and criticism. 
650 0 |a Sympathy in literature. 
650 0 |a Literature and morals. 
650 0 |a Books and reading. 
650 6 |a Roman américain  |x Histoire et critique. 
650 6 |a Sympathie dans la littérature. 
650 6 |a Littérature et morale. 
650 6 |a Livres et lecture. 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a American fiction  |2 fast 
650 7 |a Books and reading  |2 fast 
650 7 |a Literature and morals  |2 fast 
650 7 |a Sympathy in literature  |2 fast 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Sklar, Howard.  |t Art of Sympathy in Fiction : Forms of Ethical and Emotional Persuasion.  |d Amsterdam/Philadelphia : John Benjamins Publishing Company, ©2013  |z 9789027233509 
830 0 |a Linguistic approaches to literature. 
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