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EBSCO_ocn831120866 |
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|a PS374 .S97 S57 2013
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|a 813.009
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|a UAMI
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100 |
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|a Sklar, Howard.
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|a The art of sympathy in fiction :
|b forms of ethical and emotional persuasion /
|c Howard Sklar.
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|a Amsterdam ;
|a Philadelphia :
|b John Benjamins Publishing Company,
|c 2013.
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300 |
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|a 1 online resource (206 pages)
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336 |
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|a text
|b txt
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|a computer
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|a online resource
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490 |
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|a Linguistic approaches to literature
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|a Print version record.
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|a The Art of Sympathy in Fiction; Editorial page; Title page; LCC page; Dedication page; Table of contents; Acknowledgments; Introduction; Part I. Sympathy and narrative: Theoretical assumptions; 1. Believable fictions: On the nature of emotional responses to fictional characters; 1.1 Character and the question of believability; 1.2 Emotional responses to fictional characters; 2. Defining sympathy: Experiential and ethical dimensions; 2.1 Empathy: The chameleon emotion; 2.2 Towards a working definition of sympathy; 2.3 Sympathy: A "moral sentiment"?
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|a 2.4 Real-life and narrative sympathy: Experiential differences and ethical implications3. Forms of persuasion: Narrative approaches to the construction of reader sympathy; 3.1 Narrative empathy or sympathy? The role of aesthetic distance; 3.2 The poetics of narrative sympathy; Part II. Literary critical and empirical case studies; 4.1 The clothes make the man: Fantastic empathy and realistic sympathy in Roth's "Eli, the Fanatic"; 4. Varieties of narrative sympathy: Two preliminary case studies; 4.1.1 Challenging realistic conventions.
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|a 4.1.2 Naturalizing a strange reality: Stereotyping as a strategy for creating verisimilitude4.1.3 Defamiliarizing readers' perceptions; 4.1.4 Fantastic empathy and realistic sympathy; 4.1.5 Reevaluating "reality"; 4.2 Sympathy as self-discovery: The significance of caring for others in Ursula K. Le Guin's "Betray; 4.2.1 Lost in the marshlands: Cognitive estrangement and the cultivation of empathy; 4.2.2 Abberkam as Other: "Emotional estrangement" and reader judgment; 4.2.3 The rehabilitation of Abberkam: Revised judgment and the beginnings of sympathy.
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|a 4.2.4 The restoration of Self: Sympathetic caring comes full-circle5. Shades of sympathy: The limits and possibilities of identification in Bambara's "The Hammer Man"; 5.1 Structure and response: Some theoretical approaches to reader emotions; 5.2 Surprised by sympathy: The effects of delayed exposition; 5.3 Empirical approaches to "The Hammer Man"; 5.3.1 Defining sympathy: A brief review; 5.3.2 Methods and subjects; 5.3.3 Results; 5.3.4 General discussion of the test results; 6. Sympathetic "grotesque": The dynamics of feeling in Sherwood Anderson's "Hands."
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|a 6.1 The making of a sympathetic "grotesque"6.2 The Dynamics of feeling in "Hands"; 6.3 The Reader Emotions Test (RET) for "Hands"; 6.3.1 Methods and subjects; 6.3.2 Results for Test A; 6.3.3 Results for Test B; 6.3.4 General discussion; Part III. Sympathy in the classroom; 7. Narrative as experience: The pedagogical implications of sympathizing with fictional characters; 7.1 The End of innocence? Adolescent development and narrative fiction; 7.2 Making sense of sympathy: Pedagogical approaches to understanding narrative experiences; 7.3 Concluding remarks on student engagement.
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|a 8.1 Empiricism, interdisciplinarity and literary studies: Obstacles and opportunities.
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|a By taking an interdisciplinary approach - with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature - The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." Part I examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympath.
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|a Includes bibliographical references and index.
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546 |
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|a English.
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590 |
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a American fiction
|x History and criticism.
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650 |
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|a Sympathy in literature.
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650 |
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|a Literature and morals.
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650 |
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|a Books and reading.
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650 |
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|a Roman américain
|x Histoire et critique.
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650 |
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|a Sympathie dans la littérature.
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650 |
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|a Littérature et morale.
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650 |
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|a Livres et lecture.
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650 |
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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650 |
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|a American fiction
|2 fast
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650 |
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7 |
|a Books and reading
|2 fast
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650 |
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|a Literature and morals
|2 fast
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650 |
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|a Sympathy in literature
|2 fast
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|a Languages.
|2 ukslc
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
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|i Print version:
|a Sklar, Howard.
|t Art of Sympathy in Fiction : Forms of Ethical and Emotional Persuasion.
|d Amsterdam/Philadelphia : John Benjamins Publishing Company, ©2013
|z 9789027233509
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830 |
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0 |
|a Linguistic approaches to literature.
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856 |
4 |
0 |
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