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Imago mortis : mediating images of death in late medieval culture /
In Imago Mortis: Mediating Images of Death in Late Medieval Culture, Ashby Kinch argues that late medieval artists, writers, and patrons creatively adapted conventional death iconography in ways that ultimately affirm theiir artistic, social and political identities.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leiden :
Brill,
2013.
|
| Colección: | Visualising the Middle Ages ;
v. 9. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: The Mediating Image of Death
- Section One. Facing Death
- "Yet mercie thou shal have" : Affirmative Visions of Dying in Illustrations of Henry Suso's "De Scientia"
- Verbo-Visual Mirrors of Mortality in Thomas Hoccleve's "Lerne for to Die"
- Section Two. Facing the Dead
- Commemorating Power in the Legend of the Three Living and Three Dead
- Spiritual, Artistic, and Political Economies of Death : Audelay's Three Dead Kings and the Lancastrian Cadaver Tomb
- Section Three. The Community of Death
- "My stile I wille directe" : Lydgate and the Bedford Workshop Reinvent the Danse Macabre
- The Parlementaire, the Mayor, and the Crisis of Community in the Danse Macabre
- Epilogue: The Afterlives of Medieval Images of Death.