The face of the other in Anglo-American literature /
If we have established that our approach to the phenomena that are other is always unavoidably a matter of semiosis, and that even in an attempt to naturalize phenomenology, like the one made by Maurice Merleau-Ponty, who points to the corporeity of consc.
Clasificación: | Libro Electrónico |
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Otros Autores: | , |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Newcastle upon Tyne :
Cambridge Scholars Pub.,
2011.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- TABLE OF CONTENTS; INTRODUCTION; THEORY AND BIOGRAPHY; THE FACE OF THE OTHER THROUGH ARCHETYPAL REFLECTION OF THE BRONTE SISTERS' HEROINES; FACING THE OTHER THROUGH THE POWER OF LANGUAGE; A CHINESE IMMIGRANT FAMILY FACING THE OTHERNESS OF ITS EMERGING AMERICAN SELF IN THE WORK OF GISH JEN; DISTORTED IMAGES OF THE OTHER AND THE SELF IN CHRISTOPHER HAMPTON'S SAVAGES, SUZAN-LORI PARKS'S VENUS AND ERIK EHN'S MARIA KIZITO; THE SELF AS THE OTHER IN NADEEM ASLAM'S MAPS FOR LOST LOVERS; FACING THE PUEBLO INDIAN CULTURE AND DANCE; FACING THE OTHER IN TONI MORRISON'S A MERCY (2008).
- THE FEMALE OTHER IN ANITA DESAI'S NOVELS CRY, THE PEACOCK, AND FIRE ON THE MOUNTAINFEMALE IDENTITY IN DRUSILLA MODJESKA'S AUTO/BIOGRAPHICAL NOVEL THE ORCHARD; PAIRED CHARACTERS IN SAMUEL BECKETT'S PLAYS; DEATH BY WATER; THE QUARREL WITH THEORY IN IRIS MURDOCH'S UNDER THE NET; FICTION IN SEARCH OF THEORY; THE OTHER SEEN THROUGH THE PRISM OF THE GLASSES; AUTHENTICITY AND OTHERNESS IN CONTEMPORARY POETRY; FEMINAISSANCE- RECENT ESSEBNTIALIST-ANTIESSENTIALIST DEBATE IN AMERICAN WOMEN'S EXPERIMENTAL POETRY, AND WHAT HAPPENED IN SERBIA, AS A COUNTRY IN TRANSITION.
- WHO'S WHO IN BASARA'S HAMLET? PERFORMING HAMLET IN SERBIACONTRIBUTORS; INDEX.