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Understanding Bergson, understanding modernism /
Henri Bergson is frequently cited amongst the holy trinity of major influences on Modernism-literary and otherwise-alongside Sigmund Freud and William James. Gilles Deleuze's Bergsonism has re-popularized Bergson for the twenty-first century, so much so that, perhaps, our Bergson is Deleuze...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Bloomsbury,
2013.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Title page
- Copyright page
- Contents
- Foreword
- Abbreviations
- Contributors
- Introduction
- About the year 1910": Bergson and Literary Modernism
- Notes
- Part 1: Conceptualizing Bergson
- Chapter 1: (Re)Reading Time and Free Will: (Re)Discovering Bergson for the Twenty-First Century
- Intuition
- Intensity, duration, and freedom
- Intensity
- Duration
- Freedom
- Circling back: (Re)reading and (re)thinking
- Notes
- Chapter 2: Bergson's Matter and Memory: From Time to Space
- Time for space
- Notes
- Chapter 3: Comedies of Errors: Bergson's Laughter in Modernist Contexts
- Backgrounds in theory
- Bergson's theory of laughter
- Theory and resistance
- Notes
- Chapter 4: Sub Specie Durationis, or the Free Necessity of Life's Creativeness in Bergson's Creative Evolution
- The problem of "life": Between philosophy and science
- Collège de France 1902-3 lectures: "Histoire de l'idée de temps"
- Creative evolution
- A different kind of Vitalism, perhaps?
- A new "humanity," yes. . .
- Notes
- Chapter 5: A Reading of Two Sources of Morality and Religion, or Bergsonian Wisdom, Emotion, and Integrity
- A source of Two Sources in Matter and Memory
- E-movere: The movements of souls and the two sources of morality and religion
- The "lived-experience" of emotion: Two not of a kind
- Bergsonian wisdom: Emotion and the conditions for the possibility of integrity
- Notes
- Chapter 6: The Inclination of Philosophy: The Creative Mind and the Articulation of a Bergsonian Method
- Notes
- Part 2: Bergson and Aesthetics
- Chapter 7: Bergson, Vitalism, and Modernist Literature
- Introduction
- Bergsonian philosophy: Key terms for poetics
- Bergsonian poetics: Life-writing
- Bergson and the modernists: An inner circle of turmoil
- Modernism's further Bergsonian circles.
- Understanding Modernism: The cash-value of Bergsonian poetics
- Notes
- Chapter 8: Perception Sickness: Bergsonian Sensitivity and Modernist Paralysis
- The necessity of the great deadener and the dangers of lifting the veil
- Understanding modernism to understand Bergson
- Notes
- Chapter 9: "Blast ... Bergson?" Wyndham Lewis's "Guilty Fire of Friction"
- Notes
- Chapter 10: Bergson and Proust: A Question of Influence
- A Bergson-Proust chronology
- Notes
- Chapter 11: Joyce's Matter and Memory: Perception and Memory-Events in Finnegans Wake
- Notes
- Chapter 12: Minds Meeting: Bergson, Joyce, Nabokov, and the Aesthetics of the Subliminal
- Education of the senses
- Creative impulse and the reabsorption of debris
- States of consciousness, interpenetrating
- Flow
- Schema and image
- Notes
- Chapter 13: Modernist Energeia: Henri Bergson and the Romantic Idea of Language
- Notes
- Chapter 14: H.D. 's Intuitional Imagism: Memory, Desire, and the Image in Process
- Introduction
- H.D. and Imagism
- Intuition and the image in "The Shrine"
- Desire, community, and the image
- Notes
- Chapter 15: Bergson and the Comedy of Horrors
- Introduction
- What is horror?
- Why is Schindler's List horrific? On chance and death
- Bergson on the meaning of the comical
- The comedy of horrors at the limits of representation
- Concluding note on contingency and fabulation
- Notes
- Chapter 16: Time and Free Will: Bergson, Modernism, Superheroes, and Watchmen
- Modernism and spatial form
- Einstein and spacetime
- Comics as modernism
- Bergson's objection
- Modernism and agency
- Watchmen, agency, and ethics
- Notes
- Chapter 17: The Joys of Atavism
- Notes
- Part 3: Glossary
- Chapter 18: Bergson on Art and Creativity
- Notes
- Chapter 19: Bergson on Durée
- Notes
- Chapter 20: Bergson on Élan Vital
- Notes.
- Chapter 21: Bergson on Evolution
- Note
- Chapter 22: Bergson on Free Will and Creativity
- Notes
- Chapter 23: Bergson on Habit and Perception
- Notes
- Chapter 24: Bergson on Idealism and Realism
- Notes
- Chapter 25: Bergson on Image and Representation
- Notes
- Chapter 26: Bergson on Instinct
- Chapter 27: Bergson on Intuition
- Notes
- Chapter 28: Bergson on Language
- Notes
- Chapter 29: Bergson on Memory
- Notes
- Chapter 30: Bergson on Movement and Spatialization
- Notes
- Chapter 31: Bergson on Multiplicity
- Chapter 32: Bergson on Organization and Manufacture
- Notes.